Schedule of Classes — Undergraduate and Graduate / Spring 2024 / English
(1-99) Primarily for Undergraduate Students |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
---|---|---|---|---|---|---|---|---|
AMST/ENG 16B 1 |
Mark Twain’s World
|
T,Th
3:55 PM–5:15 PM
Brown: 316 |
Open
8 / 20 / 0 |
Jerome Tharaud | ||||
ENG 11A 1 |
Close Reading: Theory and Practice
[ hum oc ] |
T,F
12:45 PM–2:05 PM
Olin-Sang: 112 |
Open
19 / 20 / 0 |
William Flesch | ||||
ENG
17B
1
Syllabus |
Climate Fictions
[ hum oc wi ] |
M,W
4:05 PM–5:25 PM
Lown: 201 |
Open
29 / 30 / 0 |
Caren Irr | ||||
ENG 25B 1 |
Abolitionist Imaginaries: Literary Visions Beyond Prison
[ hum ] |
T,F
9:35 AM–10:55 AM
Olin-Sang: 201 |
Open
11 / 20 / 0 |
Jessica Brewer | ||||
ENG 32B 1 |
Chaucer’s Troilus and Criseyde and Medieval Dream Visions
[ hum ] |
M,W,Th 11:15 AM–12:05 PM |
Open
5 / 20 / 0 |
Dorothy Kim | ||||
ENG 35A 1 |
The Weird and the Experimental in Contemporary Literature
[ hum wi ] |
T,F
9:35 AM–10:55 AM
Brown: 316 |
Open
18 / 20 / 0 |
Rachel Dale | ||||
ENG 38A 1 |
Fantasy Worlds: From Lilliput and Middle Earth to LARPs
[ hum ] |
M,W,Th
11:15 AM–12:05 PM
Olin-Sang: 101 |
Open
45 / 60 / 0 |
John Plotz | ||||
ENG 48A 1 |
American Immigrant Narratives
[ deis-us hum wi ] |
M,W,Th
12:20 PM–1:10 PM
Brown: 316 |
Waitlist
15 / 15 / 0 |
Howie Tam | ||||
(100-199) For Both Undergraduate and Graduate Students |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AAPI/ENG 142a 1 |
Vietnam War Literature
[ djw hum ] |
M,W
2:30 PM–3:50 PM
Brown: 316 |
Open
8 / 20 / 0 |
Howie Tam | ||||
CLAS/ENG 148B 1 |
Faking Disability: Gender, Identity, and Performance in the Premodern Mediterranean
[ djw hum ] |
M,W,Th
1:20 PM–2:10 PM
Mandel Humanities: G11 |
Open
18 / 20 / 0 |
Catherine Bloomer | ||||
ENG 104B 1 |
Psalms and Stories: Poetry of the Sacred, 1600-1900
[ hum ] |
T,Th
2:20 PM–3:40 PM
Olin-Sang: 201 |
Waitlist
21 / 20 / 0 |
Laura Quinney | ||||
ENG 109A 1 |
Poetry Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M
2:30 PM–5:20 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M,W
5:40 PM–7:00 PM
Rabb Center: 119 |
Open
Consent Req. 11 / 12 / 0 |
Stephen McCauley | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Topic spring 2024: Writing a Novel. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Waitlist
Consent Req. 12 / 12 / 0 |
Christopher Castellani | ||||
ENG
126B
1
Syllabus |
Joyce's Ulysses
[ hum wi ] |
M,W
4:05 PM–5:25 PM
Golding Judaica: 103 |
Open
15 / 20 / 0 |
David Sherman | ||||
ENG 133A 1 |
Advanced Shakespeare
[ hum wi ] |
T,F
11:10 AM–12:30 PM
Olin-Sang: 104 |
Open
15 / 20 / 0 |
Thomas King | ||||
ENG 136A 1 |
Imagining Apocalypse
[ hum ] |
T,F
12:45 PM–2:05 PM
Olin-Sang: 201 |
Open
14 / 20 / 0 |
Jerome Tharaud | ||||
ENG 137B 1 |
Women and War
[ djw dl hum nw ] |
T,F
11:10 AM–12:30 PM
Mandel Humanities: G10 |
Open
11 / 20 / 0 |
Emilie Diouf | ||||
ENG 139B 1 |
Screenwriting Workshop: Intermediate Screenwriting
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 104 |
Open
10 / 12 / 0 |
Marc Weinberg | ||||
ENG 142A 1 |
Blackness and Horror
[ deis-us djw hum ] |
M,W,Th
12:20 PM–1:10 PM
Lown: 301 |
Open
32 / 35 / 0 |
Brandon Callender | ||||
ENG 159A 1 |
Screenwriting Workshop: Variations on the Short Film
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
W
2:30 PM–5:20 PM
Kutz: 130 |
Open
9 / 12 / 0 |
Daniel Callahan | ||||
ENG
166B
1
Syllabus |
The Promise of Poetry: Whitman, Dickinson, and Others
[ hum wi ] |
M,W,Th
10:10 AM–11:00 AM
Olin-Sang: 201 |
Open
10 / 20 / 0 |
John Burt | ||||
ENG 168B 1 |
Plotting Inheritance
[ djw dl hum ] |
T,Th
3:55 PM–5:15 PM
Mandel Humanities: G11 |
Open
13 / 20 / 0 |
Faith Smith | ||||
ENG
169A
1
Syllabus |
Eco-Writing Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Pearlman: 203 |
Open
9 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 170A 1 |
Nigerian Movies in the World
[ hum nw ] |
T,Th
2:20 PM–3:40 PM
Mandel Humanities: G11 |
Open
18 / 20 / 0 |
Emilie Diouf | ||||
ENG 175B 1 |
Getting Behind in Black Gay Men's Literatures
[ deis-us hum ] |
M,W
2:30 PM–3:50 PM
Olin-Sang: 201 |
Open
16 / 20 / 0 |
Brandon Callender | ||||
(200 and above) Primarily for Graduate Students |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 201A 1 |
Gender and Sexuality Studies
|
T
2:20 PM–5:10 PM
Rabb Center: 236 |
Open
Consent Req. 6 / 8 / 0 |
Thomas King | ||||
ENG 202A 1 |
The Global Novel
|
M
2:30 PM–5:20 PM
Rabb Center: 236 |
Open
Consent Req. 6 / 8 / 0 |
Ulka Anjaria | ||||
ENG
275B
1
Syllabus |
Pedagogy
|
W 2:30 PM–5:20 PM |
Waitlist
Consent Req. 8 / 8 / 0 |
Dorothy Kim | ||||
ENG 350A 1 |
Proseminar
Meets alternating Thursdays. |
Th
2:20 PM–3:40 PM
Lown: 202 |
Open
Consent Req. 4 / 8 / 0 |
John Plotz | ||||
ENG Digital Literacy |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ECS
100A
1
Syllabus |
European Cultural Studies Proseminar: Modernism
[ dl hum oc ] |
M,W
2:30 PM–3:50 PM
Mandel Humanities: G10 |
Open
14 / 999 / 0 |
Stephen Dowden | ||||
ENG 137B 1 |
Women and War
[ djw dl hum nw ] |
T,F
11:10 AM–12:30 PM
Mandel Humanities: G10 |
Open
11 / 20 / 0 |
Emilie Diouf | ||||
ENG 168B 1 |
Plotting Inheritance
[ djw dl hum ] |
T,Th
3:55 PM–5:15 PM
Mandel Humanities: G11 |
Open
13 / 20 / 0 |
Faith Smith | ||||
HISP 85A 1 |
Introduction to U.S. Latinx Literatures and Cultures
[ deis-us djw dl hum ] Taught in English. |
T,F
11:10 AM–12:30 PM
Mandel Humanities: G11 |
Waitlist
19 / 15 / 0 |
Maria Duran | ||||
ENG Oral Communication |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ECS
100A
1
Syllabus |
European Cultural Studies Proseminar: Modernism
[ dl hum oc ] |
M,W
2:30 PM–3:50 PM
Mandel Humanities: G10 |
Open
14 / 999 / 0 |
Stephen Dowden | ||||
ENG 11A 1 |
Close Reading: Theory and Practice
[ hum oc ] |
T,F
12:45 PM–2:05 PM
Olin-Sang: 112 |
Open
19 / 20 / 0 |
William Flesch | ||||
ENG
17B
1
Syllabus |
Climate Fictions
[ hum oc wi ] |
M,W
4:05 PM–5:25 PM
Lown: 201 |
Open
29 / 30 / 0 |
Caren Irr | ||||
ENG 109A 1 |
Poetry Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M
2:30 PM–5:20 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M,W
5:40 PM–7:00 PM
Rabb Center: 119 |
Open
Consent Req. 11 / 12 / 0 |
Stephen McCauley | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Topic spring 2024: Writing a Novel. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Waitlist
Consent Req. 12 / 12 / 0 |
Christopher Castellani | ||||
ENG 139B 1 |
Screenwriting Workshop: Intermediate Screenwriting
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 104 |
Open
10 / 12 / 0 |
Marc Weinberg | ||||
ENG Writing Intensive |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG
17B
1
Syllabus |
Climate Fictions
[ hum oc wi ] |
M,W
4:05 PM–5:25 PM
Lown: 201 |
Open
29 / 30 / 0 |
Caren Irr | ||||
ENG 35A 1 |
The Weird and the Experimental in Contemporary Literature
[ hum wi ] |
T,F
9:35 AM–10:55 AM
Brown: 316 |
Open
18 / 20 / 0 |
Rachel Dale | ||||
ENG 48A 1 |
American Immigrant Narratives
[ deis-us hum wi ] |
M,W,Th
12:20 PM–1:10 PM
Brown: 316 |
Waitlist
15 / 15 / 0 |
Howie Tam | ||||
ENG 109A 1 |
Poetry Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M
2:30 PM–5:20 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M,W
5:40 PM–7:00 PM
Rabb Center: 119 |
Open
Consent Req. 11 / 12 / 0 |
Stephen McCauley | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Topic spring 2024: Writing a Novel. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Waitlist
Consent Req. 12 / 12 / 0 |
Christopher Castellani | ||||
ENG
126B
1
Syllabus |
Joyce's Ulysses
[ hum wi ] |
M,W
4:05 PM–5:25 PM
Golding Judaica: 103 |
Open
15 / 20 / 0 |
David Sherman | ||||
ENG 133A 1 |
Advanced Shakespeare
[ hum wi ] |
T,F
11:10 AM–12:30 PM
Olin-Sang: 104 |
Open
15 / 20 / 0 |
Thomas King | ||||
ENG 139B 1 |
Screenwriting Workshop: Intermediate Screenwriting
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 104 |
Open
10 / 12 / 0 |
Marc Weinberg | ||||
ENG 159A 1 |
Screenwriting Workshop: Variations on the Short Film
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
W
2:30 PM–5:20 PM
Kutz: 130 |
Open
9 / 12 / 0 |
Daniel Callahan | ||||
ENG
166B
1
Syllabus |
The Promise of Poetry: Whitman, Dickinson, and Others
[ hum wi ] |
M,W,Th
10:10 AM–11:00 AM
Olin-Sang: 201 |
Open
10 / 20 / 0 |
John Burt | ||||
ENG
169A
1
Syllabus |
Eco-Writing Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Pearlman: 203 |
Open
9 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG Close Reading Courses for the Creative Writing Major |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 11A 1 |
Close Reading: Theory and Practice
[ hum oc ] |
T,F
12:45 PM–2:05 PM
Olin-Sang: 112 |
Open
19 / 20 / 0 |
William Flesch | ||||
ENG Literary Theory Criticism |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
CLAS/ENG 148B 1 |
Faking Disability: Gender, Identity, and Performance in the Premodern Mediterranean
[ djw hum ] |
M,W,Th
1:20 PM–2:10 PM
Mandel Humanities: G11 |
Open
18 / 20 / 0 |
Catherine Bloomer | ||||
COML 132B 1 |
Poetry and Philosophy
[ hum ] |
T,Th
5:30 PM–6:50 PM
Olin-Sang: 104 |
Open
15 / 20 / 0 |
Laura Quinney | ||||
ENG 11A 1 |
Close Reading: Theory and Practice
[ hum oc ] |
T,F
12:45 PM–2:05 PM
Olin-Sang: 112 |
Open
19 / 20 / 0 |
William Flesch | ||||
ENG 25B 1 |
Abolitionist Imaginaries: Literary Visions Beyond Prison
[ hum ] |
T,F
9:35 AM–10:55 AM
Olin-Sang: 201 |
Open
11 / 20 / 0 |
Jessica Brewer | ||||
PHIL 182A 1 |
Wittgenstein's Philosophical Investigations
[ hum ] |
T,Th 3:55 PM–5:15 PM |
Open
18 / 999 / 0 |
Eli Hirsch
William Flesch |
||||
ENG Media Film |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 170A 1 |
Nigerian Movies in the World
[ hum nw ] |
T,Th
2:20 PM–3:40 PM
Mandel Humanities: G11 |
Open
18 / 20 / 0 |
Emilie Diouf | ||||
FILM 100A 1 |
Introduction to the Moving Image
[ hum ] |
T,F
12:45 PM–2:05 PM
Mandel Humanities: G03 |
Open
78 / 90 / 0 |
Paul Morrison | ||||
ENG Multicultural Literature, World Anglophone |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AAPI/ENG 142a 1 |
Vietnam War Literature
[ djw hum ] |
M,W
2:30 PM–3:50 PM
Brown: 316 |
Open
8 / 20 / 0 |
Howie Tam | ||||
COML
117A
1
Syllabus |
Magical Realism and Modern Myth
[ hum ] |
M,W,Th
1:20 PM–2:10 PM
Kutz: 130 |
Open
26 / 35 / 0 |
David Sherman | ||||
ENG
17B
1
Syllabus |
Climate Fictions
[ hum oc wi ] |
M,W
4:05 PM–5:25 PM
Lown: 201 |
Open
29 / 30 / 0 |
Caren Irr | ||||
ENG 35A 1 |
The Weird and the Experimental in Contemporary Literature
[ hum wi ] |
T,F
9:35 AM–10:55 AM
Brown: 316 |
Open
18 / 20 / 0 |
Rachel Dale | ||||
ENG 48A 1 |
American Immigrant Narratives
[ deis-us hum wi ] |
M,W,Th
12:20 PM–1:10 PM
Brown: 316 |
Waitlist
15 / 15 / 0 |
Howie Tam | ||||
ENG 137B 1 |
Women and War
[ djw dl hum nw ] |
T,F
11:10 AM–12:30 PM
Mandel Humanities: G10 |
Open
11 / 20 / 0 |
Emilie Diouf | ||||
ENG 142A 1 |
Blackness and Horror
[ deis-us djw hum ] |
M,W,Th
12:20 PM–1:10 PM
Lown: 301 |
Open
32 / 35 / 0 |
Brandon Callender | ||||
ENG 168B 1 |
Plotting Inheritance
[ djw dl hum ] |
T,Th
3:55 PM–5:15 PM
Mandel Humanities: G11 |
Open
13 / 20 / 0 |
Faith Smith | ||||
ENG 170A 1 |
Nigerian Movies in the World
[ hum nw ] |
T,Th
2:20 PM–3:40 PM
Mandel Humanities: G11 |
Open
18 / 20 / 0 |
Emilie Diouf | ||||
ENG 175B 1 |
Getting Behind in Black Gay Men's Literatures
[ deis-us hum ] |
M,W
2:30 PM–3:50 PM
Olin-Sang: 201 |
Open
16 / 20 / 0 |
Brandon Callender | ||||
ENG Pre-1800 |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
CLAS/ENG 148B 1 |
Faking Disability: Gender, Identity, and Performance in the Premodern Mediterranean
[ djw hum ] |
M,W,Th
1:20 PM–2:10 PM
Mandel Humanities: G11 |
Open
18 / 20 / 0 |
Catherine Bloomer | ||||
ENG 32B 1 |
Chaucer’s Troilus and Criseyde and Medieval Dream Visions
[ hum ] |
M,W,Th 11:15 AM–12:05 PM |
Open
5 / 20 / 0 |
Dorothy Kim | ||||
ENG 104B 1 |
Psalms and Stories: Poetry of the Sacred, 1600-1900
[ hum ] |
T,Th
2:20 PM–3:40 PM
Olin-Sang: 201 |
Waitlist
21 / 20 / 0 |
Laura Quinney | ||||
ENG 133A 1 |
Advanced Shakespeare
[ hum wi ] |
T,F
11:10 AM–12:30 PM
Olin-Sang: 104 |
Open
15 / 20 / 0 |
Thomas King | ||||
ENG Post-1800 |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AAPI/ENG 142a 1 |
Vietnam War Literature
[ djw hum ] |
M,W
2:30 PM–3:50 PM
Brown: 316 |
Open
8 / 20 / 0 |
Howie Tam | ||||
AMST/ENG 16B 1 |
Mark Twain’s World
|
T,Th
3:55 PM–5:15 PM
Brown: 316 |
Open
8 / 20 / 0 |
Jerome Tharaud | ||||
COML
117A
1
Syllabus |
Magical Realism and Modern Myth
[ hum ] |
M,W,Th
1:20 PM–2:10 PM
Kutz: 130 |
Open
26 / 35 / 0 |
David Sherman | ||||
ENG
17B
1
Syllabus |
Climate Fictions
[ hum oc wi ] |
M,W
4:05 PM–5:25 PM
Lown: 201 |
Open
29 / 30 / 0 |
Caren Irr | ||||
ENG 25B 1 |
Abolitionist Imaginaries: Literary Visions Beyond Prison
[ hum ] |
T,F
9:35 AM–10:55 AM
Olin-Sang: 201 |
Open
11 / 20 / 0 |
Jessica Brewer | ||||
ENG 35A 1 |
The Weird and the Experimental in Contemporary Literature
[ hum wi ] |
T,F
9:35 AM–10:55 AM
Brown: 316 |
Open
18 / 20 / 0 |
Rachel Dale | ||||
ENG 38A 1 |
Fantasy Worlds: From Lilliput and Middle Earth to LARPs
[ hum ] |
M,W,Th
11:15 AM–12:05 PM
Olin-Sang: 101 |
Open
45 / 60 / 0 |
John Plotz | ||||
ENG 48A 1 |
American Immigrant Narratives
[ deis-us hum wi ] |
M,W,Th
12:20 PM–1:10 PM
Brown: 316 |
Waitlist
15 / 15 / 0 |
Howie Tam | ||||
ENG
126B
1
Syllabus |
Joyce's Ulysses
[ hum wi ] |
M,W
4:05 PM–5:25 PM
Golding Judaica: 103 |
Open
15 / 20 / 0 |
David Sherman | ||||
ENG 136A 1 |
Imagining Apocalypse
[ hum ] |
T,F
12:45 PM–2:05 PM
Olin-Sang: 201 |
Open
14 / 20 / 0 |
Jerome Tharaud | ||||
ENG 137B 1 |
Women and War
[ djw dl hum nw ] |
T,F
11:10 AM–12:30 PM
Mandel Humanities: G10 |
Open
11 / 20 / 0 |
Emilie Diouf | ||||
ENG 142A 1 |
Blackness and Horror
[ deis-us djw hum ] |
M,W,Th
12:20 PM–1:10 PM
Lown: 301 |
Open
32 / 35 / 0 |
Brandon Callender | ||||
ENG
166B
1
Syllabus |
The Promise of Poetry: Whitman, Dickinson, and Others
[ hum wi ] |
M,W,Th
10:10 AM–11:00 AM
Olin-Sang: 201 |
Open
10 / 20 / 0 |
John Burt | ||||
ENG 168B 1 |
Plotting Inheritance
[ djw dl hum ] |
T,Th
3:55 PM–5:15 PM
Mandel Humanities: G11 |
Open
13 / 20 / 0 |
Faith Smith | ||||
ENG 175B 1 |
Getting Behind in Black Gay Men's Literatures
[ deis-us hum ] |
M,W
2:30 PM–3:50 PM
Olin-Sang: 201 |
Open
16 / 20 / 0 |
Brandon Callender | ||||
ENG Creative Writing Workshops |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 109A 1 |
Poetry Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M
2:30 PM–5:20 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M,W
5:40 PM–7:00 PM
Rabb Center: 119 |
Open
Consent Req. 11 / 12 / 0 |
Stephen McCauley | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Topic spring 2024: Writing a Novel. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Waitlist
Consent Req. 12 / 12 / 0 |
Christopher Castellani | ||||
ENG 139B 1 |
Screenwriting Workshop: Intermediate Screenwriting
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 104 |
Open
10 / 12 / 0 |
Marc Weinberg | ||||
ENG 159A 1 |
Screenwriting Workshop: Variations on the Short Film
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
W
2:30 PM–5:20 PM
Kutz: 130 |
Open
9 / 12 / 0 |
Daniel Callahan | ||||
ENG
169A
1
Syllabus |
Eco-Writing Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Pearlman: 203 |
Open
9 / 12 / 0 |
Elizabeth Bradfield | ||||
THA 71A 1 |
Playwriting
[ ca wi ] |
F
9:35 AM–12:25 PM
Spingold: 205 |
Waitlist
13 / 12 / 0 |
Ryan McKittrick | ||||
ENG Cross-Listed |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ECS
100A
1
Syllabus |
European Cultural Studies Proseminar: Modernism
[ dl hum oc ] |
M,W
2:30 PM–3:50 PM
Mandel Humanities: G10 |
Open
14 / 999 / 0 |
Stephen Dowden | ||||
HISP 85A 1 |
Introduction to U.S. Latinx Literatures and Cultures
[ deis-us djw dl hum ] Taught in English. |
T,F
11:10 AM–12:30 PM
Mandel Humanities: G11 |
Waitlist
19 / 15 / 0 |
Maria Duran | ||||
RECS
154A
1
Syllabus |
Vladimir Nabokov: Art and Ethics
[ hum ] |
T,Th
5:30 PM–6:50 PM
Lown: 202 |
Open
8 / 999 / 0 |
David Powelstock | ||||
THA 11B 2 |
European Theater Texts and Theory II
[ ca ] |
T,Th
2:20 PM–3:40 PM
Kutz: 130 |
Open
22 / 25 / 0 |
Arthur Holmberg | ||||
THA 102B 1 |
Shakespeare: On Stage and Screen
[ ca ] |
T,Th
3:55 PM–5:15 PM
Kutz: 130 |
Open
12 / 25 / 0 |
Arthur Holmberg | ||||