Schedule of Classes — Undergraduate and Graduate / Fall 2024 / English
(1-99) Primarily for Undergraduate Students |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
---|---|---|---|---|---|---|---|---|
ENG 10B 1 |
Poetry: A Basic Course
[ hum ] |
T,F
12:45 PM–2:05 PM
Olin-Sang: 104 |
Open
17 / 20 / 0 |
William Flesch | ||||
ENG 12A 1 |
Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ] |
T,F 9:35 AM–10:55 AM |
Open
17 / 20 / 0 |
Emilie Diouf | ||||
ENG 19A 1 |
Introduction to Creative Writing Workshop
[ hum wi ] |
M,W
2:30 PM–3:50 PM
Pearlman: 202 |
Waitlist
12 / 12 / 4 |
Porsha Olayiwola | ||||
ENG 26A 1 |
Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ] |
M,W,Th 12:20 PM–1:10 PM |
Open
39 / 60 / 0 |
David Sherman | ||||
ENG 33B 1 |
Shakespeare Now
[ hum oc ] |
M,W,Th 1:20 PM–2:10 PM |
Open
23 / 30 / 0 |
Ramie Targoff | ||||
ENG 41A 1 |
Critical Digital Humanities Methods and Applications
[ deis-us dl hum ] |
M,W,Th 1:20 PM–2:10 PM |
Open
14 / 20 / 0 |
Dorothy Kim | ||||
ENG 43B 1 |
Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ] |
M,W,Th 11:15 AM–12:05 PM |
Waitlist
35 / 35 / 3 |
Dorothy Kim | ||||
ENG 45B 1 |
Romanticism: Gods, Nature, Loneliness, Dreams
[ hum ] |
T,F 9:35 AM–10:55 AM |
Open
13 / 20 / 0 |
Laura Quinney | ||||
ENG 62A 1 |
Documentary: Techniques and Controversies
[ hum ] |
T,F 12:45 PM–2:05 PM |
Open
10 / 20 / 0 |
Emilie Diouf | ||||
ENG 79A 1 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 116 |
Open
Consent Req. 9 / 12 / 0 |
Marc Weinberg | ||||
(100-199) For Both Undergraduate and Graduate Students |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AAPI/ENG 102A 1 |
Science and Fiction of the Transpacific
[ djw hum ] |
T,Th 5:30 PM–6:50 PM |
Open
14 / 20 / 0 |
Howie Tam | ||||
AAPI/ENG 115A 1 |
The Asian American Memoir
[ deis-us ] |
T,Th 2:20 PM–3:40 PM |
Waitlist
20 / 20 / 1 |
Howie Tam | ||||
CLAS/ENG 100A 1 |
Introduction to Premodern Disability Studies
[ hum ] |
T,F
11:10 AM–12:30 PM
Mandel Humanities: G10 |
Open
5 / 20 / 0 |
Catherine Bloomer | ||||
COML/ENG 106A 1 |
The Lyric Imagination from Romanticism to the Present
[ hum ] |
M,W,Th 10:10 AM–11:00 AM |
Open
14 / 20 / 0 |
Stephen Dowden
John Burt |
||||
COML/ENG 191A 1 |
Environmental Aesthetics
[ djw hum oc ] |
M,W 4:05 PM–5:25 PM |
Waitlist
36 / 35 / 0 |
Caren Irr | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th
2:20 PM–5:10 PM
Pearlman: 202 |
Open
Consent Req. 6 / 12 / 0 |
Marjan Kamali | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th
5:30 PM–6:50 PM
Rabb Center: 119 |
Open
Consent Req. 6 / 12 / 0 |
Stephen McCauley | ||||
ENG 119B 1 |
Poetry Workshop: Special Topics in Poetry
[ dl hum wi ] Topic Fall 2024: Poem + Image: poetic hybridity ekphrasis. How are poets bringing visual elements (photographs, collage, video grabs, drawings) into their work? How does that change what the poems need to do (or not do)? Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
W
2:30 PM–5:20 PM
Lown: 302 |
Open
Consent Req. 3 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 124A 1 |
Renaissance Women’s Writing
[ hum ] |
M,W 4:05 PM–5:25 PM |
Open
16 / 20 / 0 |
Ramie Targoff | ||||
ENG 129A 1 |
Creative Nonfiction Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M,W 5:40 PM–7:00 PM |
Open
Consent Req. 7 / 12 / 0 |
Porsha Olayiwola | ||||
ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Lown: 202 |
Open
Consent Req. 3 / 12 / 0 |
Marc Weinberg | ||||
ENG 151B 1 |
Performance Studies
[ dl hum ] |
M,W 5:40 PM–7:00 PM |
Open
13 / 20 / 0 |
Thomas King | ||||
ENG 180B 1 |
Romantic Comedy / Matrimonial Tragedy
[ hum ] |
M,W,Th 10:10 AM–11:00 AM |
Open
35 / 65 / 0 |
David Sherman | ||||
(200 and above) Primarily for Graduate Students |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 200A 1 |
Approaches to Literary and Cultural Studies
|
T
2:20 PM–5:10 PM
Lown: 302 |
Open
Consent Req. 0 / 8 / 0 |
Ulka Anjaria | ||||
ENG 208A 1 |
Poetry and Poetics Continuing Seminar
|
W 2:30 PM–3:50 PM |
Open
Consent Req. 4 / 999 / 0 |
Laura Quinney | ||||
ENG 250B 1 |
Film Theory
|
M 2:30 PM–5:20 PM |
Open
Consent Req. 4 / 8 / 0 |
Paul Morrison | ||||
ENG 350A 1 |
Proseminar
Course meets alternating Thursdays. |
Th 2:20 PM–3:40 PM |
Open
Consent Req. 0 / 8 / 0 |
John Plotz | ||||
ENG 375C 1 |
Field Exam Colloquium
Meets alternating Thursdays. |
Th 3:55 PM–5:15 PM |
Open
Consent Req. 3 / 8 / 0 |
Caren Irr | ||||
GSAS 360C 1 |
Article Publication Workshop
Meets alternating Tuesdays. |
T 11:10 AM–12:30 PM |
Open
Consent Req. 6 / 20 / 0 |
Ulka Anjaria | ||||
ENG Digital Literacy |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AMST/JOUR 113A 1 |
Long-form Journalism: Storytelling for Magazines and Podcasts
[ dl oc ss ] |
T,Th 2:20 PM–3:40 PM |
Open
16 / 25 / 0 |
Neil Swidey | ||||
ENG 41A 1 |
Critical Digital Humanities Methods and Applications
[ deis-us dl hum ] |
M,W,Th 1:20 PM–2:10 PM |
Open
14 / 20 / 0 |
Dorothy Kim | ||||
ENG 79A 1 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 116 |
Open
Consent Req. 9 / 12 / 0 |
Marc Weinberg | ||||
ENG 119B 1 |
Poetry Workshop: Special Topics in Poetry
[ dl hum wi ] Topic Fall 2024: Poem + Image: poetic hybridity ekphrasis. How are poets bringing visual elements (photographs, collage, video grabs, drawings) into their work? How does that change what the poems need to do (or not do)? Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
W
2:30 PM–5:20 PM
Lown: 302 |
Open
Consent Req. 3 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Lown: 202 |
Open
Consent Req. 3 / 12 / 0 |
Marc Weinberg | ||||
ENG 151B 1 |
Performance Studies
[ dl hum ] |
M,W 5:40 PM–7:00 PM |
Open
13 / 20 / 0 |
Thomas King | ||||
HISP 85A 1 |
Introduction to U.S. Latinx Literatures and Cultures
[ deis-us djw dl hum ] Taught in English. |
T,F 11:10 AM–12:30 PM |
Waitlist
15 / 15 / 7 |
Maria Duran | ||||
ENG Oral Communication |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AMST/JOUR 113A 1 |
Long-form Journalism: Storytelling for Magazines and Podcasts
[ dl oc ss ] |
T,Th 2:20 PM–3:40 PM |
Open
16 / 25 / 0 |
Neil Swidey | ||||
COML/ENG 191A 1 |
Environmental Aesthetics
[ djw hum oc ] |
M,W 4:05 PM–5:25 PM |
Waitlist
36 / 35 / 0 |
Caren Irr | ||||
ENG 33B 1 |
Shakespeare Now
[ hum oc ] |
M,W,Th 1:20 PM–2:10 PM |
Open
23 / 30 / 0 |
Ramie Targoff | ||||
ENG 43B 1 |
Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ] |
M,W,Th 11:15 AM–12:05 PM |
Waitlist
35 / 35 / 3 |
Dorothy Kim | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th
2:20 PM–5:10 PM
Pearlman: 202 |
Open
Consent Req. 6 / 12 / 0 |
Marjan Kamali | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th
5:30 PM–6:50 PM
Rabb Center: 119 |
Open
Consent Req. 6 / 12 / 0 |
Stephen McCauley | ||||
HSSP 118B 1 |
Viewing Medicine and Health Policy Through the Lens of Literature
[ oc ss ] |
M,W 2:30 PM–3:50 PM |
Open
20 / 25 / 0 |
Deborah Garnick | ||||
ENG Writing Intensive |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 12A 1 |
Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ] |
T,F 9:35 AM–10:55 AM |
Open
17 / 20 / 0 |
Emilie Diouf | ||||
ENG 19A 1 |
Introduction to Creative Writing Workshop
[ hum wi ] |
M,W
2:30 PM–3:50 PM
Pearlman: 202 |
Waitlist
12 / 12 / 4 |
Porsha Olayiwola | ||||
ENG 26A 1 |
Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ] |
M,W,Th 12:20 PM–1:10 PM |
Open
39 / 60 / 0 |
David Sherman | ||||
ENG 79A 1 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 116 |
Open
Consent Req. 9 / 12 / 0 |
Marc Weinberg | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th
2:20 PM–5:10 PM
Pearlman: 202 |
Open
Consent Req. 6 / 12 / 0 |
Marjan Kamali | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th
5:30 PM–6:50 PM
Rabb Center: 119 |
Open
Consent Req. 6 / 12 / 0 |
Stephen McCauley | ||||
ENG 119B 1 |
Poetry Workshop: Special Topics in Poetry
[ dl hum wi ] Topic Fall 2024: Poem + Image: poetic hybridity ekphrasis. How are poets bringing visual elements (photographs, collage, video grabs, drawings) into their work? How does that change what the poems need to do (or not do)? Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
W
2:30 PM–5:20 PM
Lown: 302 |
Open
Consent Req. 3 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 129A 1 |
Creative Nonfiction Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M,W 5:40 PM–7:00 PM |
Open
Consent Req. 7 / 12 / 0 |
Porsha Olayiwola | ||||
ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Lown: 202 |
Open
Consent Req. 3 / 12 / 0 |
Marc Weinberg | ||||
THA 142B 1 |
Women Playwrights: Writing for the Stage by and about Women
[ ca deis-us wi ] |
W
2:30 PM–5:20 PM
Spingold: 105 |
Open
10 / 25 / 0 |
Andie Berry | ||||
ENG Close Reading Courses for the Creative Writing Major |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 10B 1 |
Poetry: A Basic Course
[ hum ] |
T,F
12:45 PM–2:05 PM
Olin-Sang: 104 |
Open
17 / 20 / 0 |
William Flesch | ||||
ENG Literary Theory Criticism |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
COML/ENG 191A 1 |
Environmental Aesthetics
[ djw hum oc ] |
M,W 4:05 PM–5:25 PM |
Waitlist
36 / 35 / 0 |
Caren Irr | ||||
ENG 12A 1 |
Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ] |
T,F 9:35 AM–10:55 AM |
Open
17 / 20 / 0 |
Emilie Diouf | ||||
ENG 151B 1 |
Performance Studies
[ dl hum ] |
M,W 5:40 PM–7:00 PM |
Open
13 / 20 / 0 |
Thomas King | ||||
ENG Media Film |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AAAS 134B 1 |
Novel and Film of the African Diaspora
[ hum nw ] |
T,Th 3:55 PM–5:15 PM |
Open
6 / 25 / 0 |
Faith Smith | ||||
ENG 41A 1 |
Critical Digital Humanities Methods and Applications
[ deis-us dl hum ] |
M,W,Th 1:20 PM–2:10 PM |
Open
14 / 20 / 0 |
Dorothy Kim | ||||
ENG 62A 1 |
Documentary: Techniques and Controversies
[ hum ] |
T,F 12:45 PM–2:05 PM |
Open
10 / 20 / 0 |
Emilie Diouf | ||||
ENG 151B 1 |
Performance Studies
[ dl hum ] |
M,W 5:40 PM–7:00 PM |
Open
13 / 20 / 0 |
Thomas King | ||||
ENG 180B 1 |
Romantic Comedy / Matrimonial Tragedy
[ hum ] |
M,W,Th 10:10 AM–11:00 AM |
Open
35 / 65 / 0 |
David Sherman | ||||
ENG Multicultural Literature, World Anglophone |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AAAS 134B 1 |
Novel and Film of the African Diaspora
[ hum nw ] |
T,Th 3:55 PM–5:15 PM |
Open
6 / 25 / 0 |
Faith Smith | ||||
AAPI/ENG 102A 1 |
Science and Fiction of the Transpacific
[ djw hum ] |
T,Th 5:30 PM–6:50 PM |
Open
14 / 20 / 0 |
Howie Tam | ||||
AAPI/ENG 115A 1 |
The Asian American Memoir
[ deis-us ] |
T,Th 2:20 PM–3:40 PM |
Waitlist
20 / 20 / 1 |
Howie Tam | ||||
COML/ENG 191A 1 |
Environmental Aesthetics
[ djw hum oc ] |
M,W 4:05 PM–5:25 PM |
Waitlist
36 / 35 / 0 |
Caren Irr | ||||
ENG 12A 1 |
Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ] |
T,F 9:35 AM–10:55 AM |
Open
17 / 20 / 0 |
Emilie Diouf | ||||
ENG 41A 1 |
Critical Digital Humanities Methods and Applications
[ deis-us dl hum ] |
M,W,Th 1:20 PM–2:10 PM |
Open
14 / 20 / 0 |
Dorothy Kim | ||||
ENG Pre-1800 |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
CLAS/ENG 100A 1 |
Introduction to Premodern Disability Studies
[ hum ] |
T,F
11:10 AM–12:30 PM
Mandel Humanities: G10 |
Open
5 / 20 / 0 |
Catherine Bloomer | ||||
ENG 33B 1 |
Shakespeare Now
[ hum oc ] |
M,W,Th 1:20 PM–2:10 PM |
Open
23 / 30 / 0 |
Ramie Targoff | ||||
ENG 43B 1 |
Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ] |
M,W,Th 11:15 AM–12:05 PM |
Waitlist
35 / 35 / 3 |
Dorothy Kim | ||||
ENG 124A 1 |
Renaissance Women’s Writing
[ hum ] |
M,W 4:05 PM–5:25 PM |
Open
16 / 20 / 0 |
Ramie Targoff | ||||
ENG Post-1800 |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AAPI/ENG 102A 1 |
Science and Fiction of the Transpacific
[ djw hum ] |
T,Th 5:30 PM–6:50 PM |
Open
14 / 20 / 0 |
Howie Tam | ||||
AAPI/ENG 115A 1 |
The Asian American Memoir
[ deis-us ] |
T,Th 2:20 PM–3:40 PM |
Waitlist
20 / 20 / 1 |
Howie Tam | ||||
COML/ENG 106A 1 |
The Lyric Imagination from Romanticism to the Present
[ hum ] |
M,W,Th 10:10 AM–11:00 AM |
Open
14 / 20 / 0 |
Stephen Dowden
John Burt |
||||
ENG 12A 1 |
Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ] |
T,F 9:35 AM–10:55 AM |
Open
17 / 20 / 0 |
Emilie Diouf | ||||
ENG 26A 1 |
Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ] |
M,W,Th 12:20 PM–1:10 PM |
Open
39 / 60 / 0 |
David Sherman | ||||
ENG 45B 1 |
Romanticism: Gods, Nature, Loneliness, Dreams
[ hum ] |
T,F 9:35 AM–10:55 AM |
Open
13 / 20 / 0 |
Laura Quinney | ||||
ENG Creative Writing Workshops |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AMST/JOUR 113A 1 |
Long-form Journalism: Storytelling for Magazines and Podcasts
[ dl oc ss ] |
T,Th 2:20 PM–3:40 PM |
Open
16 / 25 / 0 |
Neil Swidey | ||||
ENG 19A 1 |
Introduction to Creative Writing Workshop
[ hum wi ] |
M,W
2:30 PM–3:50 PM
Pearlman: 202 |
Waitlist
12 / 12 / 4 |
Porsha Olayiwola | ||||
ENG 79A 1 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 116 |
Open
Consent Req. 9 / 12 / 0 |
Marc Weinberg | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th
2:20 PM–5:10 PM
Pearlman: 202 |
Open
Consent Req. 6 / 12 / 0 |
Marjan Kamali | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th
5:30 PM–6:50 PM
Rabb Center: 119 |
Open
Consent Req. 6 / 12 / 0 |
Stephen McCauley | ||||
ENG 119B 1 |
Poetry Workshop: Special Topics in Poetry
[ dl hum wi ] Topic Fall 2024: Poem + Image: poetic hybridity ekphrasis. How are poets bringing visual elements (photographs, collage, video grabs, drawings) into their work? How does that change what the poems need to do (or not do)? Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
W
2:30 PM–5:20 PM
Lown: 302 |
Open
Consent Req. 3 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 129A 1 |
Creative Nonfiction Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M,W 5:40 PM–7:00 PM |
Open
Consent Req. 7 / 12 / 0 |
Porsha Olayiwola | ||||
ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Lown: 202 |
Open
Consent Req. 3 / 12 / 0 |
Marc Weinberg | ||||
JOUR 114B 1 |
Arts Journalism, Pop Culture, and Digital Innovation
[ ss wi ] |
M,W 2:30 PM–3:50 PM |
Open
8 / 20 / 0 |
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ENG Cross-Listed |
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Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AMST 177B 1 |
True Crime and American Culture_
[ ss ] |
M,W 5:40 PM–7:00 PM |
Open
24 / 80 / 0 |
Thomas Doherty | ||||
COML 178A 1 |
Cult Books
[ hum ] |
T,Th 2:20 PM–3:40 PM |
Open
16 / 35 / 0 |
Stephen Dowden | ||||
COML/REC 136A 1 |
All in the Family: Tolstoy, Dostoevsky and the English Novel
[ hum ] |
M,W 2:30 PM–3:50 PM |
Open
12 / 20 / 0 |
Robin Miller | ||||
HISP 85A 1 |
Introduction to U.S. Latinx Literatures and Cultures
[ deis-us djw dl hum ] Taught in English. |
T,F 11:10 AM–12:30 PM |
Waitlist
15 / 15 / 7 |
Maria Duran | ||||
HSSP 118B 1 |
Viewing Medicine and Health Policy Through the Lens of Literature
[ oc ss ] |
M,W 2:30 PM–3:50 PM |
Open
20 / 25 / 0 |
Deborah Garnick | ||||
HUM 13A 1 |
Timeloops and Co-presence: Indigenous Temporalities and Speculative Fiction
[ hum ] |
M,W 2:30 PM–3:50 PM |
Open
Consent Req. 0 / 20 / 0 |
John Plotz
Charles Golden |
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HUM 14A 1 |
Evil and Human Destiny: The Western Canon from Genesis to Milton
[ hum ] |
T,Th 3:55 PM–5:15 PM |
Open
Consent Req. 0 / 20 / 0 |
William Flesch
Reuven Kimelman |
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THA 11A 1 |
European Theater Texts and Theory I
[ ca ] |
T,Th
2:20 PM–3:40 PM
Kutz: 130 |
Waitlist
24 / 25 / 1 |
Arthur Holmberg | ||||
THA 142B 1 |
Women Playwrights: Writing for the Stage by and about Women
[ ca deis-us wi ] |
W
2:30 PM–5:20 PM
Spingold: 105 |
Open
10 / 25 / 0 |
Andie Berry | ||||