Schedule of Classes Undergraduate and Graduate / Fall 2024 / English

Class Search|Course Evaluation Guide (unet login required)

(1-99) Primarily for Undergraduate Students

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
ENG 10B 1 Poetry: A Basic Course
[ hum ]

T,F 12:45 PM–2:05 PM
Olin-Sang: 104
Open
17 / 20 / 0
William Flesch
ENG 12A 1 Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ]

T,F 9:35 AM–10:55 AM Open
17 / 20 / 0
Emilie Diouf
ENG 19A 1 Introduction to Creative Writing Workshop
[ hum wi ]

M,W 2:30 PM–3:50 PM
Pearlman: 202
Waitlist
12 / 12 / 4
Porsha Olayiwola
ENG 26A 1 Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ]

M,W,Th 12:20 PM–1:10 PM Open
39 / 60 / 0
David Sherman
ENG 33B 1 Shakespeare Now
[ hum oc ]

M,W,Th 1:20 PM–2:10 PM Open
23 / 30 / 0
Ramie Targoff
ENG 41A 1 Critical Digital Humanities Methods and Applications
[ deis-us dl hum ]

M,W,Th 1:20 PM–2:10 PM Open
14 / 20 / 0
Dorothy Kim
ENG 43B 1 Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ]

M,W,Th 11:15 AM–12:05 PM Waitlist
35 / 35 / 3
Dorothy Kim
ENG 45B 1 Romanticism: Gods, Nature, Loneliness, Dreams
[ hum ]

T,F 9:35 AM–10:55 AM Open
13 / 20 / 0
Laura Quinney
ENG 62A 1 Documentary: Techniques and Controversies
[ hum ]

T,F 12:45 PM–2:05 PM Open
10 / 20 / 0
Emilie Diouf
ENG 79A 1 Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T 7:05 PM–9:55 PM
Olin-Sang: 116
Open
Consent Req.

9 / 12 / 0
Marc Weinberg
 

(100-199) For Both Undergraduate and Graduate Students

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
AAPI/ENG 102A 1 Science and Fiction of the Transpacific
[ djw hum ]

T,Th 5:30 PM–6:50 PM Open
14 / 20 / 0
Howie Tam
AAPI/ENG 115A 1 The Asian American Memoir
[ deis-us ]

T,Th 2:20 PM–3:40 PM Waitlist
20 / 20 / 1
Howie Tam
CLAS/ENG 100A 1 Introduction to Premodern Disability Studies
[ hum ]

T,F 11:10 AM–12:30 PM
Mandel Humanities: G10
Open
5 / 20 / 0
Catherine Bloomer
COML/ENG 106A 1 The Lyric Imagination from Romanticism to the Present
[ hum ]

M,W,Th 10:10 AM–11:00 AM Open
14 / 20 / 0
Stephen Dowden
John Burt
COML/ENG 191A 1 Environmental Aesthetics
[ djw hum oc ]

M,W 4:05 PM–5:25 PM Waitlist
36 / 35 / 0
Caren Irr
ENG 109B 1 Fiction Workshop: Short Fiction
[ hum oc wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


Th 2:20 PM–5:10 PM
Pearlman: 202
Open
Consent Req.

6 / 12 / 0
Marjan Kamali
ENG 119A 1 Fiction Workshop
[ hum oc wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T,Th 5:30 PM–6:50 PM
Rabb Center: 119
Open
Consent Req.

6 / 12 / 0
Stephen McCauley
ENG 119B 1 Poetry Workshop: Special Topics in Poetry
[ dl hum wi ]

Topic Fall 2024: Poem + Image: poetic hybridity ekphrasis. How are poets bringing visual elements (photographs, collage, video grabs, drawings) into their work? How does that change what the poems need to do (or not do)?

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


W 2:30 PM–5:20 PM
Lown: 302
Open
Consent Req.

3 / 12 / 0
Elizabeth Bradfield
ENG 124A 1 Renaissance Women’s Writing
[ hum ]

M,W 4:05 PM–5:25 PM Open
16 / 20 / 0
Ramie Targoff
ENG 129A 1 Creative Nonfiction Workshop
[ hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


M,W 5:40 PM–7:00 PM Open
Consent Req.

7 / 12 / 0
Porsha Olayiwola
ENG 149A 1 Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T 2:20 PM–5:10 PM
Lown: 202
Open
Consent Req.

3 / 12 / 0
Marc Weinberg
ENG 151B 1 Performance Studies
[ dl hum ]

M,W 5:40 PM–7:00 PM Open
13 / 20 / 0
Thomas King
ENG 180B 1 Romantic Comedy / Matrimonial Tragedy
[ hum ]

M,W,Th 10:10 AM–11:00 AM Open
35 / 65 / 0
David Sherman
 

(200 and above) Primarily for Graduate Students

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
ENG 200A 1 Approaches to Literary and Cultural Studies

T 2:20 PM–5:10 PM
Lown: 302
Open
Consent Req.

0 / 8 / 0
Ulka Anjaria
ENG 208A 1 Poetry and Poetics Continuing Seminar

W 2:30 PM–3:50 PM Open
Consent Req.

4 / 999 / 0
Laura Quinney
ENG 250B 1 Film Theory

M 2:30 PM–5:20 PM Open
Consent Req.

4 / 8 / 0
Paul Morrison
ENG 350A 1 Proseminar

Course meets alternating Thursdays.


Th 2:20 PM–3:40 PM Open
Consent Req.

0 / 8 / 0
John Plotz
ENG 375C 1 Field Exam Colloquium

Meets alternating Thursdays.


Th 3:55 PM–5:15 PM Open
Consent Req.

3 / 8 / 0
Caren Irr
GSAS 360C 1 Article Publication Workshop

Meets alternating Tuesdays.


T 11:10 AM–12:30 PM Open
Consent Req.

6 / 20 / 0
Ulka Anjaria
 

ENG Digital Literacy

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
AMST/JOUR 113A 1 Long-form Journalism: Storytelling for Magazines and Podcasts
[ dl oc ss ]

T,Th 2:20 PM–3:40 PM Open
16 / 25 / 0
Neil Swidey
ENG 41A 1 Critical Digital Humanities Methods and Applications
[ deis-us dl hum ]

M,W,Th 1:20 PM–2:10 PM Open
14 / 20 / 0
Dorothy Kim
ENG 79A 1 Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T 7:05 PM–9:55 PM
Olin-Sang: 116
Open
Consent Req.

9 / 12 / 0
Marc Weinberg
ENG 119B 1 Poetry Workshop: Special Topics in Poetry
[ dl hum wi ]

Topic Fall 2024: Poem + Image: poetic hybridity ekphrasis. How are poets bringing visual elements (photographs, collage, video grabs, drawings) into their work? How does that change what the poems need to do (or not do)?

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


W 2:30 PM–5:20 PM
Lown: 302
Open
Consent Req.

3 / 12 / 0
Elizabeth Bradfield
ENG 149A 1 Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T 2:20 PM–5:10 PM
Lown: 202
Open
Consent Req.

3 / 12 / 0
Marc Weinberg
ENG 151B 1 Performance Studies
[ dl hum ]

M,W 5:40 PM–7:00 PM Open
13 / 20 / 0
Thomas King
HISP 85A 1 Introduction to U.S. Latinx Literatures and Cultures
[ deis-us djw dl hum ]

Taught in English.


T,F 11:10 AM–12:30 PM Waitlist
15 / 15 / 7
Maria Duran
 

ENG Oral Communication

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
AMST/JOUR 113A 1 Long-form Journalism: Storytelling for Magazines and Podcasts
[ dl oc ss ]

T,Th 2:20 PM–3:40 PM Open
16 / 25 / 0
Neil Swidey
COML/ENG 191A 1 Environmental Aesthetics
[ djw hum oc ]

M,W 4:05 PM–5:25 PM Waitlist
36 / 35 / 0
Caren Irr
ENG 33B 1 Shakespeare Now
[ hum oc ]

M,W,Th 1:20 PM–2:10 PM Open
23 / 30 / 0
Ramie Targoff
ENG 43B 1 Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ]

M,W,Th 11:15 AM–12:05 PM Waitlist
35 / 35 / 3
Dorothy Kim
ENG 109B 1 Fiction Workshop: Short Fiction
[ hum oc wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


Th 2:20 PM–5:10 PM
Pearlman: 202
Open
Consent Req.

6 / 12 / 0
Marjan Kamali
ENG 119A 1 Fiction Workshop
[ hum oc wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T,Th 5:30 PM–6:50 PM
Rabb Center: 119
Open
Consent Req.

6 / 12 / 0
Stephen McCauley
HSSP 118B 1 Viewing Medicine and Health Policy Through the Lens of Literature
[ oc ss ]

M,W 2:30 PM–3:50 PM Open
20 / 25 / 0
Deborah Garnick
 

ENG Writing Intensive

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
ENG 12A 1 Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ]

T,F 9:35 AM–10:55 AM Open
17 / 20 / 0
Emilie Diouf
ENG 19A 1 Introduction to Creative Writing Workshop
[ hum wi ]

M,W 2:30 PM–3:50 PM
Pearlman: 202
Waitlist
12 / 12 / 4
Porsha Olayiwola
ENG 26A 1 Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ]

M,W,Th 12:20 PM–1:10 PM Open
39 / 60 / 0
David Sherman
ENG 79A 1 Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T 7:05 PM–9:55 PM
Olin-Sang: 116
Open
Consent Req.

9 / 12 / 0
Marc Weinberg
ENG 109B 1 Fiction Workshop: Short Fiction
[ hum oc wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


Th 2:20 PM–5:10 PM
Pearlman: 202
Open
Consent Req.

6 / 12 / 0
Marjan Kamali
ENG 119A 1 Fiction Workshop
[ hum oc wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T,Th 5:30 PM–6:50 PM
Rabb Center: 119
Open
Consent Req.

6 / 12 / 0
Stephen McCauley
ENG 119B 1 Poetry Workshop: Special Topics in Poetry
[ dl hum wi ]

Topic Fall 2024: Poem + Image: poetic hybridity ekphrasis. How are poets bringing visual elements (photographs, collage, video grabs, drawings) into their work? How does that change what the poems need to do (or not do)?

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


W 2:30 PM–5:20 PM
Lown: 302
Open
Consent Req.

3 / 12 / 0
Elizabeth Bradfield
ENG 129A 1 Creative Nonfiction Workshop
[ hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


M,W 5:40 PM–7:00 PM Open
Consent Req.

7 / 12 / 0
Porsha Olayiwola
ENG 149A 1 Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T 2:20 PM–5:10 PM
Lown: 202
Open
Consent Req.

3 / 12 / 0
Marc Weinberg
THA 142B 1 Women Playwrights: Writing for the Stage by and about Women
[ ca deis-us wi ]

W 2:30 PM–5:20 PM
Spingold: 105
Open
10 / 25 / 0
Andie Berry
 

ENG Close Reading Courses for the Creative Writing Major

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
ENG 10B 1 Poetry: A Basic Course
[ hum ]

T,F 12:45 PM–2:05 PM
Olin-Sang: 104
Open
17 / 20 / 0
William Flesch
 

ENG Literary Theory Criticism

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
COML/ENG 191A 1 Environmental Aesthetics
[ djw hum oc ]

M,W 4:05 PM–5:25 PM Waitlist
36 / 35 / 0
Caren Irr
ENG 12A 1 Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ]

T,F 9:35 AM–10:55 AM Open
17 / 20 / 0
Emilie Diouf
ENG 151B 1 Performance Studies
[ dl hum ]

M,W 5:40 PM–7:00 PM Open
13 / 20 / 0
Thomas King
 

ENG Media Film

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
AAAS 134B 1 Novel and Film of the African Diaspora
[ hum nw ]

T,Th 3:55 PM–5:15 PM Open
6 / 25 / 0
Faith Smith
ENG 41A 1 Critical Digital Humanities Methods and Applications
[ deis-us dl hum ]

M,W,Th 1:20 PM–2:10 PM Open
14 / 20 / 0
Dorothy Kim
ENG 62A 1 Documentary: Techniques and Controversies
[ hum ]

T,F 12:45 PM–2:05 PM Open
10 / 20 / 0
Emilie Diouf
ENG 151B 1 Performance Studies
[ dl hum ]

M,W 5:40 PM–7:00 PM Open
13 / 20 / 0
Thomas King
ENG 180B 1 Romantic Comedy / Matrimonial Tragedy
[ hum ]

M,W,Th 10:10 AM–11:00 AM Open
35 / 65 / 0
David Sherman
 

ENG Multicultural Literature, World Anglophone

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
AAAS 134B 1 Novel and Film of the African Diaspora
[ hum nw ]

T,Th 3:55 PM–5:15 PM Open
6 / 25 / 0
Faith Smith
AAPI/ENG 102A 1 Science and Fiction of the Transpacific
[ djw hum ]

T,Th 5:30 PM–6:50 PM Open
14 / 20 / 0
Howie Tam
AAPI/ENG 115A 1 The Asian American Memoir
[ deis-us ]

T,Th 2:20 PM–3:40 PM Waitlist
20 / 20 / 1
Howie Tam
COML/ENG 191A 1 Environmental Aesthetics
[ djw hum oc ]

M,W 4:05 PM–5:25 PM Waitlist
36 / 35 / 0
Caren Irr
ENG 12A 1 Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ]

T,F 9:35 AM–10:55 AM Open
17 / 20 / 0
Emilie Diouf
ENG 41A 1 Critical Digital Humanities Methods and Applications
[ deis-us dl hum ]

M,W,Th 1:20 PM–2:10 PM Open
14 / 20 / 0
Dorothy Kim
 

ENG Pre-1800

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
CLAS/ENG 100A 1 Introduction to Premodern Disability Studies
[ hum ]

T,F 11:10 AM–12:30 PM
Mandel Humanities: G10
Open
5 / 20 / 0
Catherine Bloomer
ENG 33B 1 Shakespeare Now
[ hum oc ]

M,W,Th 1:20 PM–2:10 PM Open
23 / 30 / 0
Ramie Targoff
ENG 43B 1 Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ]

M,W,Th 11:15 AM–12:05 PM Waitlist
35 / 35 / 3
Dorothy Kim
ENG 124A 1 Renaissance Women’s Writing
[ hum ]

M,W 4:05 PM–5:25 PM Open
16 / 20 / 0
Ramie Targoff
 

ENG Post-1800

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
AAPI/ENG 102A 1 Science and Fiction of the Transpacific
[ djw hum ]

T,Th 5:30 PM–6:50 PM Open
14 / 20 / 0
Howie Tam
AAPI/ENG 115A 1 The Asian American Memoir
[ deis-us ]

T,Th 2:20 PM–3:40 PM Waitlist
20 / 20 / 1
Howie Tam
COML/ENG 106A 1 The Lyric Imagination from Romanticism to the Present
[ hum ]

M,W,Th 10:10 AM–11:00 AM Open
14 / 20 / 0
Stephen Dowden
John Burt
ENG 12A 1 Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ]

T,F 9:35 AM–10:55 AM Open
17 / 20 / 0
Emilie Diouf
ENG 26A 1 Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ]

M,W,Th 12:20 PM–1:10 PM Open
39 / 60 / 0
David Sherman
ENG 45B 1 Romanticism: Gods, Nature, Loneliness, Dreams
[ hum ]

T,F 9:35 AM–10:55 AM Open
13 / 20 / 0
Laura Quinney
 

ENG Creative Writing Workshops

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
AMST/JOUR 113A 1 Long-form Journalism: Storytelling for Magazines and Podcasts
[ dl oc ss ]

T,Th 2:20 PM–3:40 PM Open
16 / 25 / 0
Neil Swidey
ENG 19A 1 Introduction to Creative Writing Workshop
[ hum wi ]

M,W 2:30 PM–3:50 PM
Pearlman: 202
Waitlist
12 / 12 / 4
Porsha Olayiwola
ENG 79A 1 Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T 7:05 PM–9:55 PM
Olin-Sang: 116
Open
Consent Req.

9 / 12 / 0
Marc Weinberg
ENG 109B 1 Fiction Workshop: Short Fiction
[ hum oc wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


Th 2:20 PM–5:10 PM
Pearlman: 202
Open
Consent Req.

6 / 12 / 0
Marjan Kamali
ENG 119A 1 Fiction Workshop
[ hum oc wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T,Th 5:30 PM–6:50 PM
Rabb Center: 119
Open
Consent Req.

6 / 12 / 0
Stephen McCauley
ENG 119B 1 Poetry Workshop: Special Topics in Poetry
[ dl hum wi ]

Topic Fall 2024: Poem + Image: poetic hybridity ekphrasis. How are poets bringing visual elements (photographs, collage, video grabs, drawings) into their work? How does that change what the poems need to do (or not do)?

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


W 2:30 PM–5:20 PM
Lown: 302
Open
Consent Req.

3 / 12 / 0
Elizabeth Bradfield
ENG 129A 1 Creative Nonfiction Workshop
[ hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


M,W 5:40 PM–7:00 PM Open
Consent Req.

7 / 12 / 0
Porsha Olayiwola
ENG 149A 1 Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ]

Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period.


T 2:20 PM–5:10 PM
Lown: 202
Open
Consent Req.

3 / 12 / 0
Marc Weinberg
JOUR 114B 1 Arts Journalism, Pop Culture, and Digital Innovation
[ ss wi ]

M,W 2:30 PM–3:50 PM Open
8 / 20 / 0
 

ENG Cross-Listed

Course # Course Title Time
Location
Enrl / Lim / Wait Instructor(s)
AMST 177B 1 True Crime and American Culture_
[ ss ]

M,W 5:40 PM–7:00 PM Open
24 / 80 / 0
Thomas Doherty
COML 178A 1 Cult Books
[ hum ]

T,Th 2:20 PM–3:40 PM Open
16 / 35 / 0
Stephen Dowden
COML/REC 136A 1 All in the Family: Tolstoy, Dostoevsky and the English Novel
[ hum ]

M,W 2:30 PM–3:50 PM Open
12 / 20 / 0
Robin Miller
HISP 85A 1 Introduction to U.S. Latinx Literatures and Cultures
[ deis-us djw dl hum ]

Taught in English.


T,F 11:10 AM–12:30 PM Waitlist
15 / 15 / 7
Maria Duran
HSSP 118B 1 Viewing Medicine and Health Policy Through the Lens of Literature
[ oc ss ]

M,W 2:30 PM–3:50 PM Open
20 / 25 / 0
Deborah Garnick
HUM 13A 1 Timeloops and Co-presence: Indigenous Temporalities and Speculative Fiction
[ hum ]

M,W 2:30 PM–3:50 PM Open
Consent Req.

0 / 20 / 0
John Plotz
Charles Golden
HUM 14A 1 Evil and Human Destiny: The Western Canon from Genesis to Milton
[ hum ]

T,Th 3:55 PM–5:15 PM Open
Consent Req.

0 / 20 / 0
William Flesch
Reuven Kimelman
THA 11A 1 European Theater Texts and Theory I
[ ca ]

T,Th 2:20 PM–3:40 PM
Kutz: 130
Waitlist
24 / 25 / 1
Arthur Holmberg
THA 142B 1 Women Playwrights: Writing for the Stage by and about Women
[ ca deis-us wi ]

W 2:30 PM–5:20 PM
Spingold: 105
Open
10 / 25 / 0
Andie Berry