Schedule of Classes — Undergraduate and Graduate / Fall 2024 / English
(1-99) Primarily for Undergraduate Students |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
|---|---|---|---|---|---|---|---|---|
| ENG 10B 1 |
Poetry: A Basic Course
[ hum ] |
T,F 12:45 PM–2:05 PM |
Open
19 / 20 / 0 |
William Flesch | ||||
| ENG 12A 1 |
Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ] |
T,F 9:35 AM–10:55 AM |
Open
14 / 20 / 0 |
Emilie Diouf | ||||
| ENG 19A 1 |
Introduction to Creative Writing Workshop
[ hum wi ] |
M,W 2:30 PM–3:50 PM |
Open
11 / 12 / 0 |
Krysten Hill | ||||
| ENG 19A 2 |
Introduction to Creative Writing Workshop
[ hum wi ] |
W 2:30 PM–5:20 PM |
Open
11 / 12 / 0 |
Elizabeth Bradfield | ||||
| ENG 26A 1 |
Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ] |
M,W,Th 12:20 PM–1:10 PM |
Open
54 / 60 / 0 |
David Sherman | ||||
| ENG 33B 1 |
Shakespeare Now
[ hum oc ] |
M,W,Th 1:20 PM–2:10 PM |
Open
21 / 30 / 0 |
Ramie Targoff | ||||
| ENG 41A 1 |
Critical Digital Humanities Methods and Applications
[ deis-us dl hum ] |
M,W,Th 1:20 PM–2:10 PM |
Open
19 / 20 / 0 |
Dorothy Kim | ||||
| ENG 43B 1 |
Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ] |
M,W,Th 11:15 AM–12:05 PM |
Open
32 / 35 / 0 |
Dorothy Kim | ||||
| ENG 45B 1 |
Romanticism: Gods, Nature, Loneliness, Dreams
[ hum ] |
T,F 9:35 AM–10:55 AM |
Open
17 / 20 / 0 |
Laura Quinney | ||||
| ENG 62A 1 |
Documentary: Techniques and Controversies
[ hum ] |
T,F 12:45 PM–2:05 PM |
Open
15 / 20 / 0 |
Emilie Diouf | ||||
| ENG 79A 1 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T 7:05 PM–9:55 PM |
Waitlist
12 / 12 / 0 |
Marc Weinberg | ||||
(100-199) For Both Undergraduate and Graduate Students |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| AAPI/ENG 102A 1 |
Science and Fiction of the Transpacific
[ djw hum ] |
T,Th 5:30 PM–6:50 PM |
Open
13 / 20 / 0 |
Howie Tam | ||||
| AAPI/ENG 115A 1 |
The Asian American Memoir
[ deis-us ] |
T,Th 2:20 PM–3:40 PM |
Open
16 / 20 / 0 |
Howie Tam | ||||
| COML/ENG 106A 1 |
The Lyric Imagination from Romanticism to the Present
[ hum ] |
M,W,Th 10:10 AM–11:00 AM |
Open
19 / 25 / 0 |
Stephen Dowden
John Burt |
||||
| COML/ENG 191A 1 |
Environmental Aesthetics
[ djw hum oc ] |
M,W 4:05 PM–5:25 PM |
Open
33 / 35 / 0 |
Caren Irr | ||||
| ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th 2:20 PM–5:10 PM |
Waitlist
12 / 12 / 0 |
Marjan Kamali | ||||
| ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th 5:30 PM–6:50 PM |
Open
10 / 12 / 0 |
Stephen McCauley | ||||
| ENG 124A 1 |
Renaissance Women’s Writing
[ hum ] |
M,W 4:05 PM–5:25 PM |
Open
19 / 20 / 0 |
Ramie Targoff | ||||
| ENG 129A 1 |
Creative Nonfiction Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M,W 5:40 PM–7:00 PM |
Waitlist
12 / 12 / 0 |
Krysten Hill | ||||
| ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T 2:20 PM–5:10 PM |
Open
8 / 12 / 0 |
Marc Weinberg | ||||
| ENG 151B 1 |
Performance Studies
[ dl hum ] |
M,W 5:40 PM–7:00 PM |
Open
14 / 20 / 0 |
Thomas King | ||||
| ENG 180B 1 |
Romantic Comedy / Matrimonial Tragedy
[ hum ] |
M,W,Th 10:10 AM–11:00 AM |
Open
40 / 65 / 0 |
David Sherman | ||||
(200 and above) Primarily for Graduate Students |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| ENG 200A 1 |
Approaches to Literary and Cultural Studies
|
T 2:20 PM–5:10 PM |
Open
Consent Req. 6 / 8 / 0 |
Ulka Anjaria | ||||
| ENG 208A 1 |
Poetry and Poetics Continuing Seminar
|
W 2:30 PM–3:50 PM |
Open
Consent Req. 7 / 999 / 0 |
Laura Quinney | ||||
| ENG 250B 1 |
Film Theory
|
M 2:30 PM–5:20 PM |
Open
Consent Req. 6 / 8 / 0 |
Paul Morrison | ||||
| ENG 350A 1 |
Proseminar
Course meets alternating Thursdays. |
Th 2:20 PM–3:40 PM |
Open
Consent Req. 5 / 8 / 0 |
John Plotz | ||||
| ENG 375C 1 |
Field Exam Colloquium
Meets alternating Thursdays. |
Th 3:55 PM–5:15 PM |
Open
Consent Req. 4 / 8 / 0 |
Caren Irr | ||||
| GSAS 360C 1 |
Article Publication Workshop
Meets alternating Tuesdays. |
T 11:10 AM–12:30 PM |
Open
Consent Req. 17 / 20 / 0 |
Ulka Anjaria | ||||
ENG Digital Literacy |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| AMST/JOUR 113A 1 |
Long-form Journalism: Storytelling for Magazines and Podcasts
[ dl oc ss ] |
T,Th 2:20 PM–3:40 PM |
Open
12 / 25 / 0 |
Neil Swidey | ||||
| ENG 41A 1 |
Critical Digital Humanities Methods and Applications
[ deis-us dl hum ] |
M,W,Th 1:20 PM–2:10 PM |
Open
19 / 20 / 0 |
Dorothy Kim | ||||
| ENG 79A 1 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T 7:05 PM–9:55 PM |
Waitlist
12 / 12 / 0 |
Marc Weinberg | ||||
| ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T 2:20 PM–5:10 PM |
Open
8 / 12 / 0 |
Marc Weinberg | ||||
| ENG 151B 1 |
Performance Studies
[ dl hum ] |
M,W 5:40 PM–7:00 PM |
Open
14 / 20 / 0 |
Thomas King | ||||
| HISP 85A 1 |
Introduction to U.S. Latinx Literatures and Cultures
[ deis-us djw dl hum ] Taught in English. |
T,F 11:10 AM–12:30 PM |
Waitlist
15 / 15 / 0 |
Maria Duran | ||||
ENG Oral Communication |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| AMST/JOUR 113A 1 |
Long-form Journalism: Storytelling for Magazines and Podcasts
[ dl oc ss ] |
T,Th 2:20 PM–3:40 PM |
Open
12 / 25 / 0 |
Neil Swidey | ||||
| COML/ENG 191A 1 |
Environmental Aesthetics
[ djw hum oc ] |
M,W 4:05 PM–5:25 PM |
Open
33 / 35 / 0 |
Caren Irr | ||||
| ENG 33B 1 |
Shakespeare Now
[ hum oc ] |
M,W,Th 1:20 PM–2:10 PM |
Open
21 / 30 / 0 |
Ramie Targoff | ||||
| ENG 43B 1 |
Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ] |
M,W,Th 11:15 AM–12:05 PM |
Open
32 / 35 / 0 |
Dorothy Kim | ||||
| ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th 2:20 PM–5:10 PM |
Waitlist
12 / 12 / 0 |
Marjan Kamali | ||||
| ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th 5:30 PM–6:50 PM |
Open
10 / 12 / 0 |
Stephen McCauley | ||||
| HSSP 118B 1 |
Viewing Medicine and Health Policy Through the Lens of Literature
[ oc ss ] |
M,W 2:30 PM–3:50 PM |
Open
20 / 25 / 0 |
Deborah Garnick | ||||
ENG Writing Intensive |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| ENG 12A 1 |
Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ] |
T,F 9:35 AM–10:55 AM |
Open
14 / 20 / 0 |
Emilie Diouf | ||||
| ENG 19A 1 |
Introduction to Creative Writing Workshop
[ hum wi ] |
M,W 2:30 PM–3:50 PM |
Open
11 / 12 / 0 |
Krysten Hill | ||||
| ENG 19A 2 |
Introduction to Creative Writing Workshop
[ hum wi ] |
W 2:30 PM–5:20 PM |
Open
11 / 12 / 0 |
Elizabeth Bradfield | ||||
| ENG 26A 1 |
Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ] |
M,W,Th 12:20 PM–1:10 PM |
Open
54 / 60 / 0 |
David Sherman | ||||
| ENG 79A 1 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T 7:05 PM–9:55 PM |
Waitlist
12 / 12 / 0 |
Marc Weinberg | ||||
| ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th 2:20 PM–5:10 PM |
Waitlist
12 / 12 / 0 |
Marjan Kamali | ||||
| ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th 5:30 PM–6:50 PM |
Open
10 / 12 / 0 |
Stephen McCauley | ||||
| ENG 129A 1 |
Creative Nonfiction Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M,W 5:40 PM–7:00 PM |
Waitlist
12 / 12 / 0 |
Krysten Hill | ||||
| ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T 2:20 PM–5:10 PM |
Open
8 / 12 / 0 |
Marc Weinberg | ||||
| THA 142B 1 |
Women Playwrights: Writing for the Stage by and about Women
[ ca deis-us wi ] |
W 2:30 PM–5:20 PM |
Open
13 / 25 / 0 |
Andie Berry | ||||
ENG Close Reading Courses for the Creative Writing Major |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| ENG 10B 1 |
Poetry: A Basic Course
[ hum ] |
T,F 12:45 PM–2:05 PM |
Open
19 / 20 / 0 |
William Flesch | ||||
ENG Literary Theory Criticism |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| COML/ENG 191A 1 |
Environmental Aesthetics
[ djw hum oc ] |
M,W 4:05 PM–5:25 PM |
Open
33 / 35 / 0 |
Caren Irr | ||||
| ENG 12A 1 |
Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ] |
T,F 9:35 AM–10:55 AM |
Open
14 / 20 / 0 |
Emilie Diouf | ||||
| ENG 151B 1 |
Performance Studies
[ dl hum ] |
M,W 5:40 PM–7:00 PM |
Open
14 / 20 / 0 |
Thomas King | ||||
ENG Media Film |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| AAAS 134B 1 |
Novel and Film of the African Diaspora
[ djw hum nw ] |
T,Th 3:55 PM–5:15 PM |
Open
8 / 25 / 0 |
Faith Smith | ||||
| ENG 41A 1 |
Critical Digital Humanities Methods and Applications
[ deis-us dl hum ] |
M,W,Th 1:20 PM–2:10 PM |
Open
19 / 20 / 0 |
Dorothy Kim | ||||
| ENG 62A 1 |
Documentary: Techniques and Controversies
[ hum ] |
T,F 12:45 PM–2:05 PM |
Open
15 / 20 / 0 |
Emilie Diouf | ||||
| ENG 151B 1 |
Performance Studies
[ dl hum ] |
M,W 5:40 PM–7:00 PM |
Open
14 / 20 / 0 |
Thomas King | ||||
| ENG 180B 1 |
Romantic Comedy / Matrimonial Tragedy
[ hum ] |
M,W,Th 10:10 AM–11:00 AM |
Open
40 / 65 / 0 |
David Sherman | ||||
ENG Multicultural Literature, World Anglophone |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| AAAS 134B 1 |
Novel and Film of the African Diaspora
[ djw hum nw ] |
T,Th 3:55 PM–5:15 PM |
Open
8 / 25 / 0 |
Faith Smith | ||||
| AAPI/ENG 102A 1 |
Science and Fiction of the Transpacific
[ djw hum ] |
T,Th 5:30 PM–6:50 PM |
Open
13 / 20 / 0 |
Howie Tam | ||||
| AAPI/ENG 115A 1 |
The Asian American Memoir
[ deis-us ] |
T,Th 2:20 PM–3:40 PM |
Open
16 / 20 / 0 |
Howie Tam | ||||
| COML/ENG 191A 1 |
Environmental Aesthetics
[ djw hum oc ] |
M,W 4:05 PM–5:25 PM |
Open
33 / 35 / 0 |
Caren Irr | ||||
| ENG 12A 1 |
Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ] |
T,F 9:35 AM–10:55 AM |
Open
14 / 20 / 0 |
Emilie Diouf | ||||
| ENG 41A 1 |
Critical Digital Humanities Methods and Applications
[ deis-us dl hum ] |
M,W,Th 1:20 PM–2:10 PM |
Open
19 / 20 / 0 |
Dorothy Kim | ||||
ENG Pre-1800 |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| ENG 33B 1 |
Shakespeare Now
[ hum oc ] |
M,W,Th 1:20 PM–2:10 PM |
Open
21 / 30 / 0 |
Ramie Targoff | ||||
| ENG 43B 1 |
Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ] |
M,W,Th 11:15 AM–12:05 PM |
Open
32 / 35 / 0 |
Dorothy Kim | ||||
| ENG 124A 1 |
Renaissance Women’s Writing
[ hum ] |
M,W 4:05 PM–5:25 PM |
Open
19 / 20 / 0 |
Ramie Targoff | ||||
ENG Post-1800 |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| AAPI/ENG 102A 1 |
Science and Fiction of the Transpacific
[ djw hum ] |
T,Th 5:30 PM–6:50 PM |
Open
13 / 20 / 0 |
Howie Tam | ||||
| AAPI/ENG 115A 1 |
The Asian American Memoir
[ deis-us ] |
T,Th 2:20 PM–3:40 PM |
Open
16 / 20 / 0 |
Howie Tam | ||||
| COML/ENG 106A 1 |
The Lyric Imagination from Romanticism to the Present
[ hum ] |
M,W,Th 10:10 AM–11:00 AM |
Open
19 / 25 / 0 |
Stephen Dowden
John Burt |
||||
| ENG 12A 1 |
Decolonizing Tongues: Language in African Literature
[ deis-us djw hum wi ] |
T,F 9:35 AM–10:55 AM |
Open
14 / 20 / 0 |
Emilie Diouf | ||||
| ENG 26A 1 |
Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ] |
M,W,Th 12:20 PM–1:10 PM |
Open
54 / 60 / 0 |
David Sherman | ||||
| ENG 45B 1 |
Romanticism: Gods, Nature, Loneliness, Dreams
[ hum ] |
T,F 9:35 AM–10:55 AM |
Open
17 / 20 / 0 |
Laura Quinney | ||||
ENG Creative Writing Workshops |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| AMST/JOUR 113A 1 |
Long-form Journalism: Storytelling for Magazines and Podcasts
[ dl oc ss ] |
T,Th 2:20 PM–3:40 PM |
Open
12 / 25 / 0 |
Neil Swidey | ||||
| ENG 19A 1 |
Introduction to Creative Writing Workshop
[ hum wi ] |
M,W 2:30 PM–3:50 PM |
Open
11 / 12 / 0 |
Krysten Hill | ||||
| ENG 19A 2 |
Introduction to Creative Writing Workshop
[ hum wi ] |
W 2:30 PM–5:20 PM |
Open
11 / 12 / 0 |
Elizabeth Bradfield | ||||
| ENG 79A 1 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T 7:05 PM–9:55 PM |
Waitlist
12 / 12 / 0 |
Marc Weinberg | ||||
| ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
Th 2:20 PM–5:10 PM |
Waitlist
12 / 12 / 0 |
Marjan Kamali | ||||
| ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th 5:30 PM–6:50 PM |
Open
10 / 12 / 0 |
Stephen McCauley | ||||
| ENG 129A 1 |
Creative Nonfiction Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
M,W 5:40 PM–7:00 PM |
Waitlist
12 / 12 / 0 |
Krysten Hill | ||||
| ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T 2:20 PM–5:10 PM |
Open
8 / 12 / 0 |
Marc Weinberg | ||||
| JOUR 114B 1 |
Arts Journalism, Pop Culture, and Digital Innovation
[ ss wi ] |
M,W 2:30 PM–3:50 PM |
Open
11 / 20 / 0 |
Josh Wolk | ||||
ENG Cross-Listed |
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| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | ||||
| AMST 177B 1 |
True Crime and American Culture_
[ ss ] |
M,W 5:40 PM–7:00 PM |
Open
24 / 80 / 0 |
Thomas Doherty | ||||
| COML 178A 1 |
Cult Books
[ hum ] |
T,Th 2:20 PM–3:40 PM |
Open
15 / 35 / 0 |
Stephen Dowden | ||||
| COML/REC 136A 1 |
All in the Family: Tolstoy, Dostoevsky and the English Novel
[ hum ] |
M,W 2:30 PM–3:50 PM |
Open
10 / 20 / 0 |
Robin Miller | ||||
| HISP 85A 1 |
Introduction to U.S. Latinx Literatures and Cultures
[ deis-us djw dl hum ] Taught in English. |
T,F 11:10 AM–12:30 PM |
Waitlist
15 / 15 / 0 |
Maria Duran | ||||
| HSSP 118B 1 |
Viewing Medicine and Health Policy Through the Lens of Literature
[ oc ss ] |
M,W 2:30 PM–3:50 PM |
Open
20 / 25 / 0 |
Deborah Garnick | ||||
| HUM 13A 1 |
Timeloops and Co-presence: Indigenous Temporalities and Speculative Fiction
[ hum ] |
M,W 2:30 PM–3:50 PM |
Open
Consent Req. 18 / 20 / 0 |
John Plotz
Charles Golden |
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| HUM 14A 1 |
Evil and Human Destiny: The Western Canon from Genesis to Milton
[ hum ] |
T,Th 3:55 PM–5:15 PM |
Waitlist
Consent Req. 20 / 20 / 0 |
William Flesch
Reuven Kimelman |
||||
| THA 11A 1 |
European Theater Texts and Theory I
[ ca ] |
T,Th 2:20 PM–3:40 PM |
Open
21 / 30 / 0 |
Ryan McKittrick
Arthur Holmberg |
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| THA 142B 1 |
Women Playwrights: Writing for the Stage by and about Women
[ ca deis-us wi ] |
W 2:30 PM–5:20 PM |
Open
13 / 25 / 0 |
Andie Berry | ||||