Schedule of Classes — Undergraduate / Spring 2023 / English
(1-99) Primarily for Undergraduate Students |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
|---|---|---|---|---|---|---|---|---|
|
COML/ENG
70B
1
Syllabus |
Environmental Film, Environmental Justice
[ djw hum ] |
M,W,Th
1:20 PM–2:10 PM
Mandel Humanities: G03 |
Waitlist
69 / 65 / 0 |
Caren Irr | ||||
| ENG 11A 1 |
Close Reading: Theory and Practice
[ hum ] |
M,W,Th
1:20 PM–2:10 PM
Olin-Sang: 104 |
Open
19 / 20 / 0 |
Laura Quinney | ||||
|
ENG
21B
1
Syllabus |
The Sex of Horror, The Horror of Sex: Gender and Sexuality in Horror
[ deis-us hum ] |
M,W,Th
10:10 AM–11:00 AM
Schwartz: 103 |
Waitlist
24 / 20 / 0 |
Miranda Peery | ||||
|
ENG
23B
1
Syllabus |
Eating the Middle Ages
[ dl hum ] |
M,W,Th
12:20 PM–1:10 PM
Mandel Humanities: G10 |
Open
16 / 20 / 0 |
Bailey Ludwig | ||||
|
ENG
24B
1
Syllabus |
Thinking about Civilization in an Age of Book Banning
[ hum ] |
T,F
9:35 AM–10:55 AM
Rabb Center: 333 |
Open
9 / 20 / 0 |
Sungkyung Cho | ||||
|
ENG
32A
1
Syllabus |
21st-Century Global Fiction: A Basic Course
[ djw hum nw oc ] |
T,Th
2:20 PM–3:40 PM
Lown: 201 |
Open
19 / 20 / 0 |
Joshua Williams | ||||
| ENG 45B 1 |
Romanticism: Gods, Nature, Loneliness, Dreams
[ hum ] |
M,W
4:05 PM–5:25 PM
Olin-Sang: 112 |
Open
15 / 20 / 0 |
Laura Quinney | ||||
| ENG 50A 1 |
Love Poetry from Sappho to Neruda
[ hum ] |
T,Th
5:30 PM–6:50 PM
Olin-Sang: 112 |
Open
18 / 20 / 0 |
Ramie Targoff | ||||
| ENG 52B 1 |
Vampires: Dark Fictions of Blood
[ deis-us hum ] |
M,W,Th
12:20 PM–1:10 PM
Olin-Sang: 124 |
Open
33 / 35 / 0 |
Brandon Callender | ||||
| ENG 62B 1 |
Contemporary African Literature, Global Perspectives
[ djw dl hum nw oc ] |
T,F
11:10 AM–12:30 PM
Shiffman: 125 |
Open
12 / 20 / 0 |
Emilie Diouf | ||||
(100-199) For Both Undergraduate and Graduate Students |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
| AMST/ENG 116B 1 |
American Culture Across the Disciplines
[ hum ] |
T,Th
2:20 PM–3:40 PM
Olin-Sang: 116 |
Open
6 / 20 / 0 |
Jerome Tharaud | ||||
| AMST/ENG 138A 1 |
Race, Region, and Religion in the Twentieth-Century South
[ deis-us hum wi ] |
M,W,Th
9:05 AM–9:55 AM
Olin-Sang: 116 |
Open
4 / 20 / 0 |
John Burt | ||||
| AMST/ENG 167B 1 |
Writing the Nation: James Baldwin, Richard Wright, Toni Morrison
[ deis-us hum ] |
M,W
2:30 PM–3:50 PM
Lown: 201 |
Open
29 / 35 / 0 |
Brandon Callender | ||||
| ENG 103B 1 |
Medieval Women in Print
[ dl hum ] |
M,W,Th 11:15 AM–12:05 PM |
Open
17 / 20 / 0 |
Dorothy Kim | ||||
|
ENG
109A
1
Syllabus |
Poetry Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Pearlman: 203 |
Waitlist
Consent Req. 13 / 12 / 0 |
Elizabeth Bradfield | ||||
|
ENG
109B
1
Syllabus |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th
3:55 PM–5:15 PM
Lown: 202 |
Waitlist
Consent Req. 12 / 12 / 0 |
Stephen McCauley | ||||
| ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. Topic spring 2023: Writing a Novel. |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Christopher Castellani | ||||
|
ENG
119B
1
Syllabus |
Poetry Workshop: Special Topics in Poetry
[ dl hum wi ] Topic Spring 2023: Poems for the End of the World |
M
2:30 PM–5:20 PM
Pearlman: 203 |
Waitlist
12 / 12 / 0 |
Porsha Olayiwola | ||||
|
ENG
121B
1
Syllabus |
Literature in the Age of Mass Incarceration
[ deis-us hum ] |
T,F
12:45 PM–2:05 PM
Mandel Humanities: G03 |
Waitlist
38 / 35 / 0 |
David Sherman | ||||
|
ENG
139B
1
Syllabus |
Screenwriting Workshop: Intermediate Screenwriting
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 104 |
Open
11 / 12 / 0 |
Marc Weinberg | ||||
| ENG 146A 1 |
Reading the American Revolution
[ dl hum ] |
T,F
11:10 AM–12:30 PM
Pearlman: 203 |
Open
10 / 20 / 0 |
Jerome Tharaud | ||||
|
ENG
147A
1
Syllabus |
Film Noir
[ hum ] |
M,W,Th
11:15 AM–12:05 PM
Mandel Humanities: G03 |
Open
60 / 65 / 0 |
William Flesch | ||||
| ENG 159A 2 |
Screenwriting Workshop: Variations on the Short Film
[ hum wi ] |
W
2:30 PM–5:20 PM
Pearlman: 202 |
Waitlist
13 / 12 / 0 |
Paloma Valenzuela | ||||
|
ENG
165B
1
Syllabus |
Victorian Poetry and Its Readers
[ hum ] |
M,W
2:30 PM–3:50 PM
Lown: 302 |
Open
10 / 20 / 0 |
William Flesch | ||||
|
ENG
188B
1
Syllabus |
Capitalism and Culture
[ hum oc ] |
M,W
4:05 PM–5:25 PM
Olin-Sang: 201 |
Waitlist
20 / 20 / 0 |
Caren Irr | ||||
ENG Digital Literacy |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
|
ENG
23B
1
Syllabus |
Eating the Middle Ages
[ dl hum ] |
M,W,Th
12:20 PM–1:10 PM
Mandel Humanities: G10 |
Open
16 / 20 / 0 |
Bailey Ludwig | ||||
| ENG 62B 1 |
Contemporary African Literature, Global Perspectives
[ djw dl hum nw oc ] |
T,F
11:10 AM–12:30 PM
Shiffman: 125 |
Open
12 / 20 / 0 |
Emilie Diouf | ||||
| ENG 103B 1 |
Medieval Women in Print
[ dl hum ] |
M,W,Th 11:15 AM–12:05 PM |
Open
17 / 20 / 0 |
Dorothy Kim | ||||
|
ENG
119B
1
Syllabus |
Poetry Workshop: Special Topics in Poetry
[ dl hum wi ] Topic Spring 2023: Poems for the End of the World |
M
2:30 PM–5:20 PM
Pearlman: 203 |
Waitlist
12 / 12 / 0 |
Porsha Olayiwola | ||||
| ENG 146A 1 |
Reading the American Revolution
[ dl hum ] |
T,F
11:10 AM–12:30 PM
Pearlman: 203 |
Open
10 / 20 / 0 |
Jerome Tharaud | ||||
ENG Oral Communication |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
|
ENG
32A
1
Syllabus |
21st-Century Global Fiction: A Basic Course
[ djw hum nw oc ] |
T,Th
2:20 PM–3:40 PM
Lown: 201 |
Open
19 / 20 / 0 |
Joshua Williams | ||||
| ENG 62B 1 |
Contemporary African Literature, Global Perspectives
[ djw dl hum nw oc ] |
T,F
11:10 AM–12:30 PM
Shiffman: 125 |
Open
12 / 20 / 0 |
Emilie Diouf | ||||
|
ENG
109A
1
Syllabus |
Poetry Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Pearlman: 203 |
Waitlist
Consent Req. 13 / 12 / 0 |
Elizabeth Bradfield | ||||
|
ENG
109B
1
Syllabus |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th
3:55 PM–5:15 PM
Lown: 202 |
Waitlist
Consent Req. 12 / 12 / 0 |
Stephen McCauley | ||||
| ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. Topic spring 2023: Writing a Novel. |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Christopher Castellani | ||||
|
ENG
139B
1
Syllabus |
Screenwriting Workshop: Intermediate Screenwriting
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 104 |
Open
11 / 12 / 0 |
Marc Weinberg | ||||
|
ENG
188B
1
Syllabus |
Capitalism and Culture
[ hum oc ] |
M,W
4:05 PM–5:25 PM
Olin-Sang: 201 |
Waitlist
20 / 20 / 0 |
Caren Irr | ||||
ENG Writing Intensive |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
| AMST/ENG 138A 1 |
Race, Region, and Religion in the Twentieth-Century South
[ deis-us hum wi ] |
M,W,Th
9:05 AM–9:55 AM
Olin-Sang: 116 |
Open
4 / 20 / 0 |
John Burt | ||||
|
ENG
109A
1
Syllabus |
Poetry Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Pearlman: 203 |
Waitlist
Consent Req. 13 / 12 / 0 |
Elizabeth Bradfield | ||||
|
ENG
109B
1
Syllabus |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th
3:55 PM–5:15 PM
Lown: 202 |
Waitlist
Consent Req. 12 / 12 / 0 |
Stephen McCauley | ||||
| ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. Topic spring 2023: Writing a Novel. |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Christopher Castellani | ||||
|
ENG
119B
1
Syllabus |
Poetry Workshop: Special Topics in Poetry
[ dl hum wi ] Topic Spring 2023: Poems for the End of the World |
M
2:30 PM–5:20 PM
Pearlman: 203 |
Waitlist
12 / 12 / 0 |
Porsha Olayiwola | ||||
|
ENG
139B
1
Syllabus |
Screenwriting Workshop: Intermediate Screenwriting
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 104 |
Open
11 / 12 / 0 |
Marc Weinberg | ||||
| ENG 159A 2 |
Screenwriting Workshop: Variations on the Short Film
[ hum wi ] |
W
2:30 PM–5:20 PM
Pearlman: 202 |
Waitlist
13 / 12 / 0 |
Paloma Valenzuela | ||||
| GECS 130B 1 |
The Princess and the Golem: Fairy Tales
[ hum wi ] |
M,W
4:05 PM–5:25 PM
Shiffman: 125 |
Open
20 / 35 / 0 |
Sabine von Mering | ||||
ENG Close Reading Courses for the Creative Writing Major |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
| ENG 11A 1 |
Close Reading: Theory and Practice
[ hum ] |
M,W,Th
1:20 PM–2:10 PM
Olin-Sang: 104 |
Open
19 / 20 / 0 |
Laura Quinney | ||||
ENG Literary Theory Criticism |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
| ENG 11A 1 |
Close Reading: Theory and Practice
[ hum ] |
M,W,Th
1:20 PM–2:10 PM
Olin-Sang: 104 |
Open
19 / 20 / 0 |
Laura Quinney | ||||
|
ENG
21B
1
Syllabus |
The Sex of Horror, The Horror of Sex: Gender and Sexuality in Horror
[ deis-us hum ] |
M,W,Th
10:10 AM–11:00 AM
Schwartz: 103 |
Waitlist
24 / 20 / 0 |
Miranda Peery | ||||
|
ENG
24B
1
Syllabus |
Thinking about Civilization in an Age of Book Banning
[ hum ] |
T,F
9:35 AM–10:55 AM
Rabb Center: 333 |
Open
9 / 20 / 0 |
Sungkyung Cho | ||||
|
ENG
121B
1
Syllabus |
Literature in the Age of Mass Incarceration
[ deis-us hum ] |
T,F
12:45 PM–2:05 PM
Mandel Humanities: G03 |
Waitlist
38 / 35 / 0 |
David Sherman | ||||
|
ENG
188B
1
Syllabus |
Capitalism and Culture
[ hum oc ] |
M,W
4:05 PM–5:25 PM
Olin-Sang: 201 |
Waitlist
20 / 20 / 0 |
Caren Irr | ||||
ENG Media Film |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
|
COML/ENG
70B
1
Syllabus |
Environmental Film, Environmental Justice
[ djw hum ] |
M,W,Th
1:20 PM–2:10 PM
Mandel Humanities: G03 |
Waitlist
69 / 65 / 0 |
Caren Irr | ||||
| ENG 52B 1 |
Vampires: Dark Fictions of Blood
[ deis-us hum ] |
M,W,Th
12:20 PM–1:10 PM
Olin-Sang: 124 |
Open
33 / 35 / 0 |
Brandon Callender | ||||
| ENG 103B 1 |
Medieval Women in Print
[ dl hum ] |
M,W,Th 11:15 AM–12:05 PM |
Open
17 / 20 / 0 |
Dorothy Kim | ||||
|
ENG
147A
1
Syllabus |
Film Noir
[ hum ] |
M,W,Th
11:15 AM–12:05 PM
Mandel Humanities: G03 |
Open
60 / 65 / 0 |
William Flesch | ||||
ENG Multicultural Literature, World Anglophone |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
| AMST/ENG 167B 1 |
Writing the Nation: James Baldwin, Richard Wright, Toni Morrison
[ deis-us hum ] |
M,W
2:30 PM–3:50 PM
Lown: 201 |
Open
29 / 35 / 0 |
Brandon Callender | ||||
| EAS 120B 1 |
Southeast Asian Literature in English
[ djw hum ] |
T,F
12:45 PM–2:05 PM
Shiffman: 201 |
Waitlist
16 / 15 / 0 |
Howie Tam | ||||
|
ENG
32A
1
Syllabus |
21st-Century Global Fiction: A Basic Course
[ djw hum nw oc ] |
T,Th
2:20 PM–3:40 PM
Lown: 201 |
Open
19 / 20 / 0 |
Joshua Williams | ||||
| ENG 52B 1 |
Vampires: Dark Fictions of Blood
[ deis-us hum ] |
M,W,Th
12:20 PM–1:10 PM
Olin-Sang: 124 |
Open
33 / 35 / 0 |
Brandon Callender | ||||
| ENG 62B 1 |
Contemporary African Literature, Global Perspectives
[ djw dl hum nw oc ] |
T,F
11:10 AM–12:30 PM
Shiffman: 125 |
Open
12 / 20 / 0 |
Emilie Diouf | ||||
ENG Pre-1800 |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
|
ENG
23B
1
Syllabus |
Eating the Middle Ages
[ dl hum ] |
M,W,Th
12:20 PM–1:10 PM
Mandel Humanities: G10 |
Open
16 / 20 / 0 |
Bailey Ludwig | ||||
|
ENG
24B
1
Syllabus |
Thinking about Civilization in an Age of Book Banning
[ hum ] |
T,F
9:35 AM–10:55 AM
Rabb Center: 333 |
Open
9 / 20 / 0 |
Sungkyung Cho | ||||
| ENG 50A 1 |
Love Poetry from Sappho to Neruda
[ hum ] |
T,Th
5:30 PM–6:50 PM
Olin-Sang: 112 |
Open
18 / 20 / 0 |
Ramie Targoff | ||||
| ENG 103B 1 |
Medieval Women in Print
[ dl hum ] |
M,W,Th 11:15 AM–12:05 PM |
Open
17 / 20 / 0 |
Dorothy Kim | ||||
| ENG 146A 1 |
Reading the American Revolution
[ dl hum ] |
T,F
11:10 AM–12:30 PM
Pearlman: 203 |
Open
10 / 20 / 0 |
Jerome Tharaud | ||||
ENG Post-1800 |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
| AMST/ENG 116B 1 |
American Culture Across the Disciplines
[ hum ] |
T,Th
2:20 PM–3:40 PM
Olin-Sang: 116 |
Open
6 / 20 / 0 |
Jerome Tharaud | ||||
| AMST/ENG 138A 1 |
Race, Region, and Religion in the Twentieth-Century South
[ deis-us hum wi ] |
M,W,Th
9:05 AM–9:55 AM
Olin-Sang: 116 |
Open
4 / 20 / 0 |
John Burt | ||||
| AMST/ENG 167B 1 |
Writing the Nation: James Baldwin, Richard Wright, Toni Morrison
[ deis-us hum ] |
M,W
2:30 PM–3:50 PM
Lown: 201 |
Open
29 / 35 / 0 |
Brandon Callender | ||||
| EAS 120B 1 |
Southeast Asian Literature in English
[ djw hum ] |
T,F
12:45 PM–2:05 PM
Shiffman: 201 |
Waitlist
16 / 15 / 0 |
Howie Tam | ||||
|
ENG
21B
1
Syllabus |
The Sex of Horror, The Horror of Sex: Gender and Sexuality in Horror
[ deis-us hum ] |
M,W,Th
10:10 AM–11:00 AM
Schwartz: 103 |
Waitlist
24 / 20 / 0 |
Miranda Peery | ||||
|
ENG
32A
1
Syllabus |
21st-Century Global Fiction: A Basic Course
[ djw hum nw oc ] |
T,Th
2:20 PM–3:40 PM
Lown: 201 |
Open
19 / 20 / 0 |
Joshua Williams | ||||
| ENG 45B 1 |
Romanticism: Gods, Nature, Loneliness, Dreams
[ hum ] |
M,W
4:05 PM–5:25 PM
Olin-Sang: 112 |
Open
15 / 20 / 0 |
Laura Quinney | ||||
| ENG 62B 1 |
Contemporary African Literature, Global Perspectives
[ djw dl hum nw oc ] |
T,F
11:10 AM–12:30 PM
Shiffman: 125 |
Open
12 / 20 / 0 |
Emilie Diouf | ||||
|
ENG
165B
1
Syllabus |
Victorian Poetry and Its Readers
[ hum ] |
M,W
2:30 PM–3:50 PM
Lown: 302 |
Open
10 / 20 / 0 |
William Flesch | ||||
ENG Creative Writing Workshops |
||||||||
| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
|
ENG
109A
1
Syllabus |
Poetry Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
2:20 PM–5:10 PM
Pearlman: 203 |
Waitlist
Consent Req. 13 / 12 / 0 |
Elizabeth Bradfield | ||||
|
ENG
109B
1
Syllabus |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T,Th
3:55 PM–5:15 PM
Lown: 202 |
Waitlist
Consent Req. 12 / 12 / 0 |
Stephen McCauley | ||||
| ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. Topic spring 2023: Writing a Novel. |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Christopher Castellani | ||||
|
ENG
119B
1
Syllabus |
Poetry Workshop: Special Topics in Poetry
[ dl hum wi ] Topic Spring 2023: Poems for the End of the World |
M
2:30 PM–5:20 PM
Pearlman: 203 |
Waitlist
12 / 12 / 0 |
Porsha Olayiwola | ||||
|
ENG
139B
1
Syllabus |
Screenwriting Workshop: Intermediate Screenwriting
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the spring registration period. |
T
7:05 PM–9:55 PM
Olin-Sang: 104 |
Open
11 / 12 / 0 |
Marc Weinberg | ||||
| ENG 159A 2 |
Screenwriting Workshop: Variations on the Short Film
[ hum wi ] |
W
2:30 PM–5:20 PM
Pearlman: 202 |
Waitlist
13 / 12 / 0 |
Paloma Valenzuela | ||||
| THA 71A 1 |
Playwriting
[ ca wi ] |
F
9:35 AM–12:25 PM
Spingold: 205 |
Open
11 / 12 / 0 |
Ryan McKittrick | ||||
ENG Cross-Listed |
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| Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
| AMST 149A 1 |
The Future as History
[ ss ] |
M,W
4:05 PM–5:25 PM
Olin-Sang: 116 |
Open
4 / 999 / 0 |
Jonathan Schroeder | ||||
| AMST 177B 1 |
True Crime and American Culture_
[ ss ] |
M,W
5:40 PM–7:00 PM
Mandel Humanities: G12 |
Waitlist
17 / 0 / 0 |
Thomas Doherty | ||||
| COML 178A 1 |
Cult Books
[ hum ] |
M,W
4:05 PM–5:25 PM
Lown: 302 |
Open
6 / 20 / 0 |
Stephen Dowden | ||||
| GECS 130B 1 |
The Princess and the Golem: Fairy Tales
[ hum wi ] |
M,W
4:05 PM–5:25 PM
Shiffman: 125 |
Open
20 / 35 / 0 |
Sabine von Mering | ||||
| HUM 10A 1 |
The Western Canon
[ hum ] |
T,Th
3:55 PM–5:15 PM
Rabb Center: 333 |
Open
2 / 30 / 0 |
Reuven Kimelman | ||||
| THA 11B 2 |
European Theater Texts and Theory II
[ ca ] |
T,Th
2:20 PM–3:40 PM
Kutz: 130 |
Open
17 / 25 / 0 |
Arthur Holmberg | ||||
| THA 102B 1 |
Shakespeare: On Stage and Screen
[ ca ] |
T,Th
3:55 PM–5:15 PM
Kutz: 130 |
Open
24 / 25 / 0 |
Arthur Holmberg | ||||