Schedule of Classes — Undergraduate / Fall 2022 / English
(1-99) Primarily for Undergraduate Students |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
---|---|---|---|---|---|---|---|---|
AMST/ENG
47A
1
Syllabus |
Frontier Visions: The West in American Literature and Culture
[ hum oc ] |
T,Th
3:55 PM–5:15 PM
Mandel Humanities: G11 |
Open
19 / 20 / 0 |
Jerome Tharaud | ||||
COML/ENG
21A
1
Syllabus |
The Literature of Walking
[ hum oc ] |
T,F
11:10 AM–12:30 PM
Olin-Sang: 212 |
Open
15 / 20 / 0 |
Caren Irr | ||||
ENG 1A 1 |
Introduction to Literary Studies
[ hum wi ] Modern Literature and the Problem of Evil. This course takes a fresh look at the study of literature by exploring how a variety of authors and genres confront the problem of evil in the modern world, from Elizabethan drama to graphic novels and film. We'll practice using several influential literary theories to make sense of what we read and see. Texts include the Book of Job, King Lear, Paradise Lost, Robinson Crusoe, Art Spiegelman's Maus, and Arundhati Roy's The God of Small Things. |
T,F
12:45 PM–2:05 PM
Mandel Humanities: G10 |
Open
19 / 20 / 0 |
Jerome Tharaud | ||||
ENG 6A 2 |
The American Renaissance
[ hum ] |
M,W
4:05 PM–5:25 PM
Rabb Center: 236 |
Open
2 / 20 / 0 |
Jonathan Schroeder | ||||
ENG 10B 1 |
Poetry: A Basic Course
[ hum ] |
T,Th
3:55 PM–5:15 PM
Mandel Humanities: G10 |
Open
19 / 20 / 0 |
William Flesch | ||||
ENG 19A 1 |
Introduction to Creative Writing Workshop
[ hum wi ] |
M,W
5:40 PM–7:00 PM
Olin-Sang: 112 |
Open
11 / 12 / 0 |
Porsha Olayiwola | ||||
ENG 20A 1 |
Bollywood: Popular Film, Genre, and Society
[ djw hum nw ] |
M,W,Th
10:10 AM–11:00 AM
Mandel Humanities: G03 |
Open
64 / 65 / 0 |
Ulka Anjaria | ||||
ENG
26A
1
Syllabus |
Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ] |
M,W,Th
12:20 PM–1:10 PM
Mandel Humanities: G03 |
Open
55 / 65 / 0 |
David Sherman | ||||
ENG 27B 1 |
Classic Hollywood Cinema
[ hum ] |
M,W,Th
9:05 AM–9:55 AM
Mandel Humanities: G11 |
Waitlist
22 / 20 / 0 |
Paul Morrison | ||||
ENG 33B 1 |
Shakespeare Now
[ hum ] |
M,W,Th
11:15 AM–12:05 PM
Olin-Sang: 212 |
Waitlist
20 / 20 / 0 |
Ramie Targoff | ||||
ENG 42A 1 |
Blackness and Horror
[ deis-us djw hum ] |
M,W,Th
12:20 PM–1:10 PM
Lown: 201 |
Open
31 / 35 / 0 |
Brandon Callender | ||||
ENG 43B 1 |
Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ] |
T,Th 2:20 PM–3:40 PM |
Open
21 / 40 / 0 |
Dorothy Kim | ||||
ENG 62A 1 |
Documentary: Techniques and Controversies
[ hum ] |
M,W
4:05 PM–5:25 PM
Olin-Sang: 201 |
Open
19 / 20 / 0 |
Matthew Schratz | ||||
ENG 79A 2 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period |
T
7:05 PM–9:55 PM
Mandel Humanities: G10 |
Waitlist
Consent Req. 12 / 12 / 0 |
Marc Weinberg | ||||
(100-199) For Both Undergraduate and Graduate Students |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AAPI/ENG 102A 1 |
Transpacific Science Fiction
[ djw hum ] |
T,F
9:35 AM–10:55 AM
Lown: 002 |
Open
34 / 35 / 0 |
Howie Tam | ||||
ENG
106A
1
Syllabus |
Representing Slavery
[ deis-us hum wi ] |
M,W
2:30 PM–3:50 PM
Lown: 302 |
Open
11 / 20 / 0 |
John Burt | ||||
ENG 109A 1 |
Poetry Workshop
[ hum oc wi ] |
M,W
2:30 PM–3:50 PM
Lown: 202 |
Waitlist
12 / 12 / 0 |
Porsha Olayiwola | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
T,Th
5:30 PM–6:50 PM
Rabb Center: 119 |
Waitlist
Consent Req. 12 / 12 / 0 |
Stephen McCauley | ||||
ENG 114A 1 |
Enthusiasm, Disappointment, Recovery: British Literature and the French Revolution
[ hum ] |
T,Th
5:30 PM–6:50 PM
Mandel Humanities: G10 |
Open
11 / 20 / 0 |
Laura Quinney | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Open
9 / 12 / 0 |
Christopher Castellani | ||||
ENG 139A 1 |
Publishing Workshop: Literary Editing and Publishing
[ dl hum oc ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
W
2:30 PM–5:20 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 143A 1 |
The History of Mediascapes and Critical Maker Culture
[ deis-us dl hum oc ] |
T,F
11:10 AM–12:30 PM
Th 11:15 AM–12:05 PM |
Open
8 / 20 / 0 |
Dorothy Kim | ||||
ENG 145A 1 |
Poetry and the Supernatural
[ hum ] |
T,Th
2:20 PM–3:40 PM
Olin-Sang: 104 |
Open
19 / 20 / 0 |
Laura Quinney | ||||
ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period |
T
2:20 PM–5:10 PM
Lown: 202 |
Open
Consent Req. 11 / 12 / 0 |
Marc Weinberg | ||||
ENG 171B 1 |
African Feminism(s)
[ djw hum nw ] |
M,W,Th
1:20 PM–2:10 PM
Olin-Sang: 104 |
Open
14 / 20 / 0 |
Emilie Diouf | ||||
ENG Digital Literacy |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 79A 2 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period |
T
7:05 PM–9:55 PM
Mandel Humanities: G10 |
Waitlist
Consent Req. 12 / 12 / 0 |
Marc Weinberg | ||||
ENG 139A 1 |
Publishing Workshop: Literary Editing and Publishing
[ dl hum oc ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
W
2:30 PM–5:20 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 143A 1 |
The History of Mediascapes and Critical Maker Culture
[ deis-us dl hum oc ] |
T,F
11:10 AM–12:30 PM
Th 11:15 AM–12:05 PM |
Open
8 / 20 / 0 |
Dorothy Kim | ||||
ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period |
T
2:20 PM–5:10 PM
Lown: 202 |
Open
Consent Req. 11 / 12 / 0 |
Marc Weinberg | ||||
ENG Oral Communication |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AMST/ENG
47A
1
Syllabus |
Frontier Visions: The West in American Literature and Culture
[ hum oc ] |
T,Th
3:55 PM–5:15 PM
Mandel Humanities: G11 |
Open
19 / 20 / 0 |
Jerome Tharaud | ||||
COML/ENG
21A
1
Syllabus |
The Literature of Walking
[ hum oc ] |
T,F
11:10 AM–12:30 PM
Olin-Sang: 212 |
Open
15 / 20 / 0 |
Caren Irr | ||||
ENG 43B 1 |
Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ] |
T,Th 2:20 PM–3:40 PM |
Open
21 / 40 / 0 |
Dorothy Kim | ||||
ENG 109A 1 |
Poetry Workshop
[ hum oc wi ] |
M,W
2:30 PM–3:50 PM
Lown: 202 |
Waitlist
12 / 12 / 0 |
Porsha Olayiwola | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
T,Th
5:30 PM–6:50 PM
Rabb Center: 119 |
Waitlist
Consent Req. 12 / 12 / 0 |
Stephen McCauley | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Open
9 / 12 / 0 |
Christopher Castellani | ||||
ENG 139A 1 |
Publishing Workshop: Literary Editing and Publishing
[ dl hum oc ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
W
2:30 PM–5:20 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 143A 1 |
The History of Mediascapes and Critical Maker Culture
[ deis-us dl hum oc ] |
T,F
11:10 AM–12:30 PM
Th 11:15 AM–12:05 PM |
Open
8 / 20 / 0 |
Dorothy Kim | ||||
ENG Writing Intensive |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 1A 1 |
Introduction to Literary Studies
[ hum wi ] Modern Literature and the Problem of Evil. This course takes a fresh look at the study of literature by exploring how a variety of authors and genres confront the problem of evil in the modern world, from Elizabethan drama to graphic novels and film. We'll practice using several influential literary theories to make sense of what we read and see. Texts include the Book of Job, King Lear, Paradise Lost, Robinson Crusoe, Art Spiegelman's Maus, and Arundhati Roy's The God of Small Things. |
T,F
12:45 PM–2:05 PM
Mandel Humanities: G10 |
Open
19 / 20 / 0 |
Jerome Tharaud | ||||
ENG 19A 1 |
Introduction to Creative Writing Workshop
[ hum wi ] |
M,W
5:40 PM–7:00 PM
Olin-Sang: 112 |
Open
11 / 12 / 0 |
Porsha Olayiwola | ||||
ENG
26A
1
Syllabus |
Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ] |
M,W,Th
12:20 PM–1:10 PM
Mandel Humanities: G03 |
Open
55 / 65 / 0 |
David Sherman | ||||
ENG 79A 2 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period |
T
7:05 PM–9:55 PM
Mandel Humanities: G10 |
Waitlist
Consent Req. 12 / 12 / 0 |
Marc Weinberg | ||||
ENG
106A
1
Syllabus |
Representing Slavery
[ deis-us hum wi ] |
M,W
2:30 PM–3:50 PM
Lown: 302 |
Open
11 / 20 / 0 |
John Burt | ||||
ENG 109A 1 |
Poetry Workshop
[ hum oc wi ] |
M,W
2:30 PM–3:50 PM
Lown: 202 |
Waitlist
12 / 12 / 0 |
Porsha Olayiwola | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
T,Th
5:30 PM–6:50 PM
Rabb Center: 119 |
Waitlist
Consent Req. 12 / 12 / 0 |
Stephen McCauley | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Open
9 / 12 / 0 |
Christopher Castellani | ||||
ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period |
T
2:20 PM–5:10 PM
Lown: 202 |
Open
Consent Req. 11 / 12 / 0 |
Marc Weinberg | ||||
ENG Close Reading Courses for the Creative Writing Major |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 10B 1 |
Poetry: A Basic Course
[ hum ] |
T,Th
3:55 PM–5:15 PM
Mandel Humanities: G10 |
Open
19 / 20 / 0 |
William Flesch | ||||
ENG Literary Theory Criticism |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
COML/ENG
21A
1
Syllabus |
The Literature of Walking
[ hum oc ] |
T,F
11:10 AM–12:30 PM
Olin-Sang: 212 |
Open
15 / 20 / 0 |
Caren Irr | ||||
ENG 171B 1 |
African Feminism(s)
[ djw hum nw ] |
M,W,Th
1:20 PM–2:10 PM
Olin-Sang: 104 |
Open
14 / 20 / 0 |
Emilie Diouf | ||||
ENG Media Film |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 20A 1 |
Bollywood: Popular Film, Genre, and Society
[ djw hum nw ] |
M,W,Th
10:10 AM–11:00 AM
Mandel Humanities: G03 |
Open
64 / 65 / 0 |
Ulka Anjaria | ||||
ENG 27B 1 |
Classic Hollywood Cinema
[ hum ] |
M,W,Th
9:05 AM–9:55 AM
Mandel Humanities: G11 |
Waitlist
22 / 20 / 0 |
Paul Morrison | ||||
ENG 62A 1 |
Documentary: Techniques and Controversies
[ hum ] |
M,W
4:05 PM–5:25 PM
Olin-Sang: 201 |
Open
19 / 20 / 0 |
Matthew Schratz | ||||
ENG 143A 1 |
The History of Mediascapes and Critical Maker Culture
[ deis-us dl hum oc ] |
T,F
11:10 AM–12:30 PM
Th 11:15 AM–12:05 PM |
Open
8 / 20 / 0 |
Dorothy Kim | ||||
ENG Multicultural Literature, World Anglophone |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AAPI/ENG 102A 1 |
Transpacific Science Fiction
[ djw hum ] |
T,F
9:35 AM–10:55 AM
Lown: 002 |
Open
34 / 35 / 0 |
Howie Tam | ||||
ENG 20A 1 |
Bollywood: Popular Film, Genre, and Society
[ djw hum nw ] |
M,W,Th
10:10 AM–11:00 AM
Mandel Humanities: G03 |
Open
64 / 65 / 0 |
Ulka Anjaria | ||||
ENG 42A 1 |
Blackness and Horror
[ deis-us djw hum ] |
M,W,Th
12:20 PM–1:10 PM
Lown: 201 |
Open
31 / 35 / 0 |
Brandon Callender | ||||
ENG 171B 1 |
African Feminism(s)
[ djw hum nw ] |
M,W,Th
1:20 PM–2:10 PM
Olin-Sang: 104 |
Open
14 / 20 / 0 |
Emilie Diouf | ||||
ENG Pre-1800 |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 33B 1 |
Shakespeare Now
[ hum ] |
M,W,Th
11:15 AM–12:05 PM
Olin-Sang: 212 |
Waitlist
20 / 20 / 0 |
Ramie Targoff | ||||
ENG 43B 1 |
Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ] |
T,Th 2:20 PM–3:40 PM |
Open
21 / 40 / 0 |
Dorothy Kim | ||||
ENG 114A 1 |
Enthusiasm, Disappointment, Recovery: British Literature and the French Revolution
[ hum ] |
T,Th
5:30 PM–6:50 PM
Mandel Humanities: G10 |
Open
11 / 20 / 0 |
Laura Quinney | ||||
ENG 143A 1 |
The History of Mediascapes and Critical Maker Culture
[ deis-us dl hum oc ] |
T,F
11:10 AM–12:30 PM
Th 11:15 AM–12:05 PM |
Open
8 / 20 / 0 |
Dorothy Kim | ||||
ENG Post-1800 |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
AAPI/ENG 102A 1 |
Transpacific Science Fiction
[ djw hum ] |
T,F
9:35 AM–10:55 AM
Lown: 002 |
Open
34 / 35 / 0 |
Howie Tam | ||||
AMST/ENG
47A
1
Syllabus |
Frontier Visions: The West in American Literature and Culture
[ hum oc ] |
T,Th
3:55 PM–5:15 PM
Mandel Humanities: G11 |
Open
19 / 20 / 0 |
Jerome Tharaud | ||||
COML/ENG
21A
1
Syllabus |
The Literature of Walking
[ hum oc ] |
T,F
11:10 AM–12:30 PM
Olin-Sang: 212 |
Open
15 / 20 / 0 |
Caren Irr | ||||
ENG 1A 1 |
Introduction to Literary Studies
[ hum wi ] Modern Literature and the Problem of Evil. This course takes a fresh look at the study of literature by exploring how a variety of authors and genres confront the problem of evil in the modern world, from Elizabethan drama to graphic novels and film. We'll practice using several influential literary theories to make sense of what we read and see. Texts include the Book of Job, King Lear, Paradise Lost, Robinson Crusoe, Art Spiegelman's Maus, and Arundhati Roy's The God of Small Things. |
T,F
12:45 PM–2:05 PM
Mandel Humanities: G10 |
Open
19 / 20 / 0 |
Jerome Tharaud | ||||
ENG 6A 2 |
The American Renaissance
[ hum ] |
M,W
4:05 PM–5:25 PM
Rabb Center: 236 |
Open
2 / 20 / 0 |
Jonathan Schroeder | ||||
ENG
26A
1
Syllabus |
Novels on the Verge of a Nervous Breakdown: Fiction as Psychological Inquiry
[ hum wi ] |
M,W,Th
12:20 PM–1:10 PM
Mandel Humanities: G03 |
Open
55 / 65 / 0 |
David Sherman | ||||
ENG 42A 1 |
Blackness and Horror
[ deis-us djw hum ] |
M,W,Th
12:20 PM–1:10 PM
Lown: 201 |
Open
31 / 35 / 0 |
Brandon Callender | ||||
ENG
106A
1
Syllabus |
Representing Slavery
[ deis-us hum wi ] |
M,W
2:30 PM–3:50 PM
Lown: 302 |
Open
11 / 20 / 0 |
John Burt | ||||
ENG 145A 1 |
Poetry and the Supernatural
[ hum ] |
T,Th
2:20 PM–3:40 PM
Olin-Sang: 104 |
Open
19 / 20 / 0 |
Laura Quinney | ||||
ENG 171B 1 |
African Feminism(s)
[ djw hum nw ] |
M,W,Th
1:20 PM–2:10 PM
Olin-Sang: 104 |
Open
14 / 20 / 0 |
Emilie Diouf | ||||
ENG Creative Writing Workshops |
||||||||
Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ENG 19A 1 |
Introduction to Creative Writing Workshop
[ hum wi ] |
M,W
5:40 PM–7:00 PM
Olin-Sang: 112 |
Open
11 / 12 / 0 |
Porsha Olayiwola | ||||
ENG 79A 2 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period |
T
7:05 PM–9:55 PM
Mandel Humanities: G10 |
Waitlist
Consent Req. 12 / 12 / 0 |
Marc Weinberg | ||||
ENG 109A 1 |
Poetry Workshop
[ hum oc wi ] |
M,W
2:30 PM–3:50 PM
Lown: 202 |
Waitlist
12 / 12 / 0 |
Porsha Olayiwola | ||||
ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
T,Th
5:30 PM–6:50 PM
Rabb Center: 119 |
Waitlist
Consent Req. 12 / 12 / 0 |
Stephen McCauley | ||||
ENG 119A 1 |
Fiction Workshop
[ hum oc wi ] |
Th
2:20 PM–5:10 PM
Pearlman: 203 |
Open
9 / 12 / 0 |
Christopher Castellani | ||||
ENG 139A 1 |
Publishing Workshop: Literary Editing and Publishing
[ dl hum oc ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
W
2:30 PM–5:20 PM
Pearlman: 203 |
Open
Consent Req. 10 / 12 / 0 |
Elizabeth Bradfield | ||||
ENG 149A 1 |
Screenwriting Workshop: Writing the Streaming Series
[ dl hum wi ] Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period |
T
2:20 PM–5:10 PM
Lown: 202 |
Open
Consent Req. 11 / 12 / 0 |
Marc Weinberg | ||||
JOUR 113A 1 |
Long-form Journalism: Storytelling for Magazines and Podcasts
[ dl ss wi ] |
T,Th
2:20 PM–3:40 PM
Schwartz: 103 |
Open
24 / 25 / 0 |
Neil Swidey | ||||
JOUR
114B
1
Syllabus |
Arts Journalism: The Making of a Podcast
[ ss wi ] |
T,F
11:10 AM–12:30 PM
Mandel Humanities: G10 |
Open
8 / 25 / 0 |
Iris Adler | ||||
ENG Cross-Listed |
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Course # | Course Title | Time Location |
Enrl / Lim / Wait | Instructor(s) | ||||
ECS 100A 1 |
European Cultural Studies Proseminar: Modernism
[ dl hum oc ] |
M,W
4:05 PM–5:25 PM
Shiffman: 218 |
Open
5 / 18 / 0 |
Stephen Dowden | ||||
HSSP 118B 1 |
Viewing Medicine and Health Policy Through the Lens of Literature
[ oc ss ] |
M,W
2:30 PM–3:50 PM
Rosenstiel: 118 |
Open
33 / 35 / 0 |
Deborah Garnick | ||||
HUM 10A 1 |
The Western Canon
[ hum ] |
T,F
12:45 PM–2:05 PM
Lown: 302 |
Open
11 / 20 / 0 |
William Flesch | ||||
THA 11A 1 |
European Theater Texts and Theory I
[ ca ] |
T,Th
2:20 PM–3:40 PM
Kutz: 130 |
Open
14 / 25 / 0 |
Arthur Holmberg | ||||
THA 66A 1 |
The American Drama since 1945
[ ca ] |
T,Th
3:55 PM–5:15 PM
Kutz: 130 |
Open
16 / 25 / 0 |
Arthur Holmberg | ||||