Schedule of Classes — Undergraduate / Fall 2019 / English
(1-99) Primarily for Undergraduate Students |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | View Books | |||
|---|---|---|---|---|---|---|---|---|
| AAAS/ENG 80A 1 |
Black Looks: The Promise and Perils of Photography
[ deis-us djw hum wi ] |
T,F 12:30 PM–1:50 PM |
Open
12 / 999 / 0 |
Smith, Faith Lois | View Books | |||
|
ENG
7A
1
Syllabus |
American Literature from 1900 to 2000
[ hum wi ] |
M,W,Th 1:00 PM–1:50 PM |
Open
15 / 999 / 0 |
Burt, John | View Books | |||
| ENG 10B 1 |
Poetry: A Basic Course
[ hum ] |
M,W 2:00 PM–3:20 PM |
Open
17 / 999 / 0 |
Morrison, Paul | View Books | |||
| ENG 11A 1 |
Close Reading: Theory and Practice
[ hum ] |
M,W,Th 9:00 AM–9:50 AM |
Open
18 / 999 / 0 |
Flesch, William | View Books | |||
|
ENG
19A
1
Syllabus |
Introduction to Creative Writing Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. |
Th 5:00 PM–7:50 PM |
Closed
12 / 12 / 0 |
Talusan, Grace | View Books | |||
| ENG 19A 2 |
Introduction to Creative Writing Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. |
M 2:00 PM–4:50 PM |
Closed
14 / 12 / 0 |
Bradfield, Elizabeth | View Books | |||
| ENG 27B 1 |
Classic Hollywood Cinema
[ hum ] Film Screenings Mondays 6:30-8:50 p.m., not required. |
M,W,Th 11:00 AM–11:50 AM |
Open
77 / 999 / 0 |
Morrison, Paul | View Books | |||
| ENG 33A 1 |
Shakespeare
[ hum ] |
M,W,Th 12:00 PM–12:50 PM |
Open
34 / 999 / 0 |
Flesch, William | View Books | |||
| ENG 52A 1 |
Refugee Stories, Refugee Lives
[ hum nw ] |
M,W 3:30 PM–4:50 PM |
Open
35 / 999 / 0 |
Diouf, Emilie Ndione | View Books | |||
|
ENG
58A
1
Syllabus |
Literature and Medicine
[ dl hum wi ] |
T,Th 2:00 PM–3:20 PM |
Open
33 / 999 / 0 |
Sherman, David R. | View Books | |||
| ENG 61B 1 |
Philosophical Approaches to Film Theory
[ hum ] |
M,W,Th 10:00 AM–10:50 AM |
Open
41 / 999 / 0 |
Flesch, William | View Books | |||
| ENG 79A 1 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum oc wi ] See Course Catalog for Special Notes. Offered exclusively on a credit/no credit basis. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
T 6:30 PM–9:20 PM |
Closed
Consent Req. 23 / 12 / 0 |
Weinberg, Marc | View Books | |||
| HUM 10A 1 |
The Western Canon
[ hum uws ] Does not participate in the University Writing Seminar (UWS) selection process. Instructor's Signature Required. Enrollment limited to Humanities Fellows. Does not meet the requirements for the major or minor in English in fall 2019. Topic for fall 2019: Epic Literature. |
T,Th 2:00 PM–3:20 PM |
Closed
Consent Req. 21 / 20 / 0 |
Quinney, Laura | View Books | |||
(100-199) For Both Undergraduate and Graduate Students |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | View Books | |||
| ENG 105B 1 |
After Jane Austen: Sex, Death, and Fiction
[ hum wi ] |
M,W 3:30 PM–4:50 PM |
Open
13 / 999 / 0 |
Plotz, John | View Books | |||
| ENG 108A 1 |
Literature and Heresy
[ hum ] |
T,F 12:30 PM–1:50 PM |
Open
10 / 999 / 0 |
Quinney, Laura | View Books | |||
| ENG 109A 1 |
Poetry Workshop
[ dl hum oc wi ] Offered exclusively on a credit/no credit basis. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. May be repeated for credit. Instructor's Signature Required. |
W 2:00 PM–4:50 PM |
Closed
Consent Req. 14 / 12 / 0 |
Chen, Chen | View Books | |||
| ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. May be repeated for credit. |
M,W 5:00 PM–6:20 PM |
Closed
Consent Req. 12 / 12 / 0 |
McCauley, Stephen D. | View Books | |||
|
ENG
123A
1
Syllabus |
Violence and the Body in Early Modern Drama
[ dl hum ] See Course Catalog for Special Notes. |
M,W 2:00 PM–3:20 PM |
Open
7 / 999 / 0 |
King, Thomas A | View Books | |||
| ENG 138A 1 |
Race, Region, and Religion in the Twentieth-Century South
[ deis-us hum wi ] See Course Catalog for Special Notes. |
M,W,Th 10:00 AM–10:50 AM |
Open
8 / 999 / 0 |
Burt, John | View Books | |||
| ENG 143A 1 |
The History of Mediascapes and Critical Maker Culture
[ deis-us dl hum oc ] |
T,Th 3:30 PM–4:50 PM |
Open
8 / 999 / 0 |
Kim, Dorothy | View Books | |||
| ENG 149A 1 |
Screenwriting Workshop: Writing for Television
[ dl hum oc wi ] Offered exclusively on a credit/no credit basis. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
T 2:00 PM–4:50 PM |
Closed
Consent Req. 16 / 12 / 0 |
Weinberg, Marc | View Books | |||
| ENG 150B 1 |
Out of This World: Science Fiction's Cyborgs, Time Travellers, and Space Invaders
[ hum ] |
M,W,Th 1:00 PM–1:50 PM |
Open
18 / 999 / 0 |
Plotz, John | View Books | |||
| ENG 151B 1 |
Performance Studies
[ dl hum ] Topic for fall 2019: Performative Responses to Climate Change. |
M,W,Th 11:00 AM–11:50 AM |
Open
9 / 999 / 0 |
King, Thomas A | View Books | |||
| ENG 152B 1 |
Arthurian Literature
[ dl hum ] |
T,F 11:00 AM–12:20 PM |
Open
15 / 999 / 0 |
Kim, Dorothy | View Books | |||
|
ENG
161A
1
Syllabus |
Literature and Counterculture
[ hum ] |
T,F 11:00 AM–12:20 PM |
Open
11 / 999 / 0 |
Sherman, David R. | View Books | |||
|
ENG
167B
1
Syllabus |
Writing the Nation: James Baldwin, Richard Wright, Toni Morrison
[ deis-us hum ] |
T,F 9:30 AM–10:50 AM |
Open
8 / 999 / 0 |
Everett, Gabrielle | View Books | |||
| ENG 172B 1 |
African Literature and Human Rights
[ hum nw ] |
M,W,Th 12:00 PM–12:50 PM |
Open
18 / 999 / 0 |
Diouf, Emilie Ndione | View Books | |||
Close Reading Courses for the Creative Writing Major |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | View Books | |||
| ENG 10B 1 |
Poetry: A Basic Course
[ hum ] |
M,W 2:00 PM–3:20 PM |
Open
17 / 999 / 0 |
Morrison, Paul | View Books | |||
| ENG 11A 1 |
Close Reading: Theory and Practice
[ hum ] |
M,W,Th 9:00 AM–9:50 AM |
Open
18 / 999 / 0 |
Flesch, William | View Books | |||
Literary Theory / Criticism Courses |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | View Books | |||
| ENG 11A 1 |
Close Reading: Theory and Practice
[ hum ] |
M,W,Th 9:00 AM–9:50 AM |
Open
18 / 999 / 0 |
Flesch, William | View Books | |||
| ENG 61B 1 |
Philosophical Approaches to Film Theory
[ hum ] |
M,W,Th 10:00 AM–10:50 AM |
Open
41 / 999 / 0 |
Flesch, William | View Books | |||
| ENG 151B 1 |
Performance Studies
[ dl hum ] Topic for fall 2019: Performative Responses to Climate Change. |
M,W,Th 11:00 AM–11:50 AM |
Open
9 / 999 / 0 |
King, Thomas A | View Books | |||
|
ENG
161A
1
Syllabus |
Literature and Counterculture
[ hum ] |
T,F 11:00 AM–12:20 PM |
Open
11 / 999 / 0 |
Sherman, David R. | View Books | |||
Media and Film Courses |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | View Books | |||
| AAAS/ENG 80A 1 |
Black Looks: The Promise and Perils of Photography
[ deis-us djw hum wi ] |
T,F 12:30 PM–1:50 PM |
Open
12 / 999 / 0 |
Smith, Faith Lois | View Books | |||
| ENG 27B 1 |
Classic Hollywood Cinema
[ hum ] Film Screenings Mondays 6:30-8:50 p.m., not required. |
M,W,Th 11:00 AM–11:50 AM |
Open
77 / 999 / 0 |
Morrison, Paul | View Books | |||
| ENG 61B 1 |
Philosophical Approaches to Film Theory
[ hum ] |
M,W,Th 10:00 AM–10:50 AM |
Open
41 / 999 / 0 |
Flesch, William | View Books | |||
| ENG 143A 1 |
The History of Mediascapes and Critical Maker Culture
[ deis-us dl hum oc ] |
T,Th 3:30 PM–4:50 PM |
Open
8 / 999 / 0 |
Kim, Dorothy | View Books | |||
| ENG 151B 1 |
Performance Studies
[ dl hum ] Topic for fall 2019: Performative Responses to Climate Change. |
M,W,Th 11:00 AM–11:50 AM |
Open
9 / 999 / 0 |
King, Thomas A | View Books | |||
Multicultural Literature/World Anglophone Courses |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | View Books | |||
| AAAS/ENG 80A 1 |
Black Looks: The Promise and Perils of Photography
[ deis-us djw hum wi ] |
T,F 12:30 PM–1:50 PM |
Open
12 / 999 / 0 |
Smith, Faith Lois | View Books | |||
| ENG 52A 1 |
Refugee Stories, Refugee Lives
[ hum nw ] |
M,W 3:30 PM–4:50 PM |
Open
35 / 999 / 0 |
Diouf, Emilie Ndione | View Books | |||
|
ENG
167B
1
Syllabus |
Writing the Nation: James Baldwin, Richard Wright, Toni Morrison
[ deis-us hum ] |
T,F 9:30 AM–10:50 AM |
Open
8 / 999 / 0 |
Everett, Gabrielle | View Books | |||
| ENG 172B 1 |
African Literature and Human Rights
[ hum nw ] |
M,W,Th 12:00 PM–12:50 PM |
Open
18 / 999 / 0 |
Diouf, Emilie Ndione | View Books | |||
Pre-1800 Courses |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | View Books | |||
| ENG 33A 1 |
Shakespeare
[ hum ] |
M,W,Th 12:00 PM–12:50 PM |
Open
34 / 999 / 0 |
Flesch, William | View Books | |||
| ENG 108A 1 |
Literature and Heresy
[ hum ] |
T,F 12:30 PM–1:50 PM |
Open
10 / 999 / 0 |
Quinney, Laura | View Books | |||
|
ENG
123A
1
Syllabus |
Violence and the Body in Early Modern Drama
[ dl hum ] See Course Catalog for Special Notes. |
M,W 2:00 PM–3:20 PM |
Open
7 / 999 / 0 |
King, Thomas A | View Books | |||
| ENG 143A 1 |
The History of Mediascapes and Critical Maker Culture
[ deis-us dl hum oc ] |
T,Th 3:30 PM–4:50 PM |
Open
8 / 999 / 0 |
Kim, Dorothy | View Books | |||
| ENG 152B 1 |
Arthurian Literature
[ dl hum ] |
T,F 11:00 AM–12:20 PM |
Open
15 / 999 / 0 |
Kim, Dorothy | View Books | |||
Post-1800 Courses |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | View Books | |||
| AAAS/ENG 80A 1 |
Black Looks: The Promise and Perils of Photography
[ deis-us djw hum wi ] |
T,F 12:30 PM–1:50 PM |
Open
12 / 999 / 0 |
Smith, Faith Lois | View Books | |||
|
ENG
7A
1
Syllabus |
American Literature from 1900 to 2000
[ hum wi ] |
M,W,Th 1:00 PM–1:50 PM |
Open
15 / 999 / 0 |
Burt, John | View Books | |||
| ENG 52A 1 |
Refugee Stories, Refugee Lives
[ hum nw ] |
M,W 3:30 PM–4:50 PM |
Open
35 / 999 / 0 |
Diouf, Emilie Ndione | View Books | |||
|
ENG
58A
1
Syllabus |
Literature and Medicine
[ dl hum wi ] |
T,Th 2:00 PM–3:20 PM |
Open
33 / 999 / 0 |
Sherman, David R. | View Books | |||
| ENG 105B 1 |
After Jane Austen: Sex, Death, and Fiction
[ hum wi ] |
M,W 3:30 PM–4:50 PM |
Open
13 / 999 / 0 |
Plotz, John | View Books | |||
| ENG 138A 1 |
Race, Region, and Religion in the Twentieth-Century South
[ deis-us hum wi ] See Course Catalog for Special Notes. |
M,W,Th 10:00 AM–10:50 AM |
Open
8 / 999 / 0 |
Burt, John | View Books | |||
| ENG 150B 1 |
Out of This World: Science Fiction's Cyborgs, Time Travellers, and Space Invaders
[ hum ] |
M,W,Th 1:00 PM–1:50 PM |
Open
18 / 999 / 0 |
Plotz, John | View Books | |||
|
ENG
161A
1
Syllabus |
Literature and Counterculture
[ hum ] |
T,F 11:00 AM–12:20 PM |
Open
11 / 999 / 0 |
Sherman, David R. | View Books | |||
|
ENG
167B
1
Syllabus |
Writing the Nation: James Baldwin, Richard Wright, Toni Morrison
[ deis-us hum ] |
T,F 9:30 AM–10:50 AM |
Open
8 / 999 / 0 |
Everett, Gabrielle | View Books | |||
| ENG 172B 1 |
African Literature and Human Rights
[ hum nw ] |
M,W,Th 12:00 PM–12:50 PM |
Open
18 / 999 / 0 |
Diouf, Emilie Ndione | View Books | |||
Creative Writing Workshops |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | View Books | |||
|
ENG
19A
1
Syllabus |
Introduction to Creative Writing Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. |
Th 5:00 PM–7:50 PM |
Closed
12 / 12 / 0 |
Talusan, Grace | View Books | |||
| ENG 19A 2 |
Introduction to Creative Writing Workshop
[ hum wi ] Offered exclusively on a credit/no credit basis. |
M 2:00 PM–4:50 PM |
Closed
14 / 12 / 0 |
Bradfield, Elizabeth | View Books | |||
| ENG 79A 1 |
Screenwriting Workshop: Beginning Screenplay
[ dl hum oc wi ] See Course Catalog for Special Notes. Offered exclusively on a credit/no credit basis. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
T 6:30 PM–9:20 PM |
Closed
Consent Req. 23 / 12 / 0 |
Weinberg, Marc | View Books | |||
| ENG 109A 1 |
Poetry Workshop
[ dl hum oc wi ] Offered exclusively on a credit/no credit basis. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. May be repeated for credit. Instructor's Signature Required. |
W 2:00 PM–4:50 PM |
Closed
Consent Req. 14 / 12 / 0 |
Chen, Chen | View Books | |||
| ENG 109B 1 |
Fiction Workshop: Short Fiction
[ hum oc wi ] Offered exclusively on a credit/no credit basis. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. May be repeated for credit. |
M,W 5:00 PM–6:20 PM |
Closed
Consent Req. 12 / 12 / 0 |
McCauley, Stephen D. | View Books | |||
| ENG 149A 1 |
Screenwriting Workshop: Writing for Television
[ dl hum oc wi ] Offered exclusively on a credit/no credit basis. Offered exclusively on a credit/no credit basis. All Creative Writing courses are by instructor's permission, after the submission of a manuscript sample. Manuscript samples should be no more than 6 pages of creative work in the genre of the Creative Writing workshop to which the student is applying; poetry, fiction, screenwriting. Samples should be emailed in a single document, (.doc or .docx) to the relevant instructor beginning the week prior to registration. Each workshop is capped at 12. During early registration each workshop will accept up to 10 students, allowing room for incoming first-years and transfer students during the fall registration period. |
T 2:00 PM–4:50 PM |
Closed
Consent Req. 16 / 12 / 0 |
Weinberg, Marc | View Books | |||
Cross-listed in English |
||||||||
| Course # | Course Title | Time | Enrl / Lim / Wait | Instructor(s) | View Books | |||
|
ECS
100A
1
Syllabus |
European Cultural Studies Proseminar: Modernism
[ dl hum oc wi ] |
M,W 2:00 PM–3:20 PM |
Open
8 / 999 / 0 |
Dowden, Steve | View Books | |||
|
GECS
130B
1
Syllabus |
The Princess and the Golem: Fairy Tales
[ hum wi ] See Course Catalog for Special Notes. |
M,W 3:30 PM–4:50 PM |
Open
20 / 999 / 0 |
von Mering, Sabine | View Books | |||
|
HISP
196A
1
Syllabus |
Topics in Latinx Literature and Culture
[ hum wi ] Taught in English. See Course Catalog for prerequisites. Topic for fall 2019: Latinx Theatre: Politics, Performance, and Social Change. This course examines Latinx theatre as a creative and political force for social change in the United States from the 1960s to the present. We will examine Latinx theatre’s politics, cultural practices, and artistic expressions. We will read representative works by Latinx playwrights while integrating supplementary texts including performance reviews, critical analyses, and theoretical studies. Plays will be studied using various modes of inquiry including linguistic, performance studies, gender studies, and borderlands theory. |
T,Th 2:00 PM–3:20 PM |
Open
14 / 15 / 0 |
Duran, Maria J | View Books | |||
|
NEJS
176B
1
Syllabus |
Jewish Graphic Novels
[ hum ] |
M,W 2:00 PM–3:20 PM |
Open
6 / 999 / 0 |
Kellman, Ellen | View Books | |||
| THA 11A 1 |
European Theater Texts and Theory I
[ ca ] |
F 9:00 AM–11:50 AM |
Open
19 / 25 / 0 |
McKittrick, Ryan | View Books | |||